WE'RE SUPPORTING

Illustrator Jashar Awan now has a new website devoted solely to his butt kicking superhero comics and moody graphic novels. This is the kind of stuff that will appeal immensely to the childhood superhero fanatic in all of us. Read more

WE'RE TRAVELLING TO

The Danes are renowned for their considered and subtle design. However, in these times of change, they must feel they need something with this selection of a bridge building as the winner of a recent architectural competition in Denmark. The American architect Steven Holl designed this building with a pedestrian bridge that links two sides of the harbour in the distinctly low-rise Copenhagen. Read more

WE'RE WEARING

Australian fashion label Das Monk is my new favourite t-shirt label and this shirt is more comfortable to wear that a thousand pairs of Ozone socks. Super soft 100% cotton. Grab one now from the Lost At E Minor store for $35.

WE'RE THINKING

There’s a radiance about the creative work emanating from Brooklyn, New York right now; a glistening, velvetine glow that seeps through the illustrations and art and tickles the melodies of every hipster four-piece. Read more

WE'RE READING

Long before the franchise destroyed our fond childhood memories like Aunt and Uncle Beru on Tatooine, many of us born in the 70s were proud to own the many products associated with the Star Wars movies. Read more

Back in the day, New Zealand pop absurdists, Split Enz were the finest damn Australasian band around. This track, I Walk Away, off their final album — Spellbound — is their ultimate moment: a hefty dose of pure melodic majestry, wrapped around the aching lyrics and quirky arrangements of genius frontman, Neil Finn.

WE'RE LISTENING TO

Austin-based Future Clouds and Radar, the eclectic art-pop ensemble headed by Robert Harrison, has recently released its sophomore recording, Peoria. Where their self-titled debut album showed Harrison as the central figure in a large musical cast, Future Clouds and Radar’s latest offering finds the core band focusing their kaleidoscopic vision into a single cinematic narrative about the illusory nature of mortality. Throughout, Harrison stays true to his genre-hopping eclecticism, leading the journey through a maze of fuzz-box vocals and ethereal keys.