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	<title>Lost At E Minor: For creative people &#187; White Williams</title>
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	<description>Lost At E Minor: For creative people</description>
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		<title>White Williams on his &#8216;disobedient&#8217; music</title>
		<link>http://www.lostateminor.com/2008/03/28/white-williams-interview/</link>
		<comments>http://www.lostateminor.com/2008/03/28/white-williams-interview/#comments</comments>
		<pubDate>Thu, 27 Mar 2008 16:43:42 +0000</pubDate>
		<dc:creator>Francis Andrews</dc:creator>
				<category><![CDATA[New Music]]></category>
		<category><![CDATA[electronica]]></category>
		<category><![CDATA[mashed-up music]]></category>
		<category><![CDATA[White Williams]]></category>

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		<description><![CDATA[<img src="http://www.lostateminor.com/wp-content/uploads/2008/03/white-williams.jpg" alt="white williams" />We featured White Williams on Lost At E Minor recently, so we thought it was time to pin him down for a chat. Metaphorically speaking of course. As a kid you were scorned by your piano teacher for toying around with your own sounds and refusing to be &#8216;taught&#8217;. Have you always been wary of [...]]]></description>
			<content:encoded><![CDATA[<img src="http://www.lostateminor.com/wp-content/uploads/2008/03/white-williams.jpg" alt="white williams" /><p>We featured <a href="/2008/01/16/white-williams/" title="white williams">White Williams on Lost At E Minor</a> recently, so we thought it was time to pin him down for a chat. Metaphorically speaking of course. <span id="more-6114"></span><strong>As a kid you were scorned by your piano teacher for toying around with your own sounds and refusing to be &#8216;taught&#8217;. Have you always been wary of treading other people&#8217;s paths?</strong> &#8216;I think I have a natural tendency to be disobedient from having listening problems. But I think that informs a lot of what I do. If someone tells me to do something, I&#8217;ll respond to it unconsciously. It&#8217;s usually only partially right or wrong. I like to make things sound wrong. At certain times I find myself going into my songs to find things that I tried to play perfectly and finding a way to ruin them. When my sounds are contained in the computer, I have the opportunity to partially erase and write over what I have done. I like when sounds are not always so deliberate. It&#8217;s certainly hard to translate the experience of the studio process into a performance. That is a new challenge&#8217;. <!--more--><strong>How much of a boost to your career was it being named one of Rolling Stone magazine&#8217;s Breaking Artists?</strong> &#8216;I can&#8217;t really gauge a thing like that. I think when people associate you with something like Rolling Stone, then they make assumptions. I know for people in my family and people I grew up with it made it easier to take what I was doing more seriously. It&#8217;s silly that people need an experience like that to gather opinions. Most of my friends have supported me from the beginning&#8217;.  <strong>Your MySpace page puts you as a Happy Hardcore/Club artist. I get a bit of Beck and New Order, and a splash of lo-fi electronica, from your music. Why the discrepancy?</strong> &#8216;They&#8217;re only words. You and I could create a genre of music. It&#8217;s almost as arbitrary as a band name. Here are some of my faves: Dem Palms, Jesus Slaves, Filthy Dynamo, Hell Jail, USA Bluffs, EsCaLaDiES&#8217;. <strong>There&#8217;s a real tongue-in-cheek style emphasis across the album&#8217;s artwork, and in the credits. What exactly are you mocking?</strong> &#8216;Blogs, Fashionistas, Heteros, God, Graffiti, MySpace, Plaque, Rachael Ray&#8217;.</p>
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