WE'RE SUPPORTING

A new idea has emerged in Norway that we think could be the precursor to things to come in the way our societies interact and develop. The general gradual demise of traditional gathering places such as town halls, community centers and churches has seemingly gone in hand with a generational shift and sharp increase in online virtual communities. However, humans still need to rub shoulders at some point to get things done, until, say, we perfect the sensitive hologram. Read more

WE'RE WEARING

Abstracted geometric forms, peculiar clockwork pieces, and a sense of childhood play; I can’t quite pinpoint why I love the jewellery designs of Sydney creative, Elke Kramer, but I do know that her jewellery is unique and off-beat, yet widely accessible and wearable. Read more

WE'RE READING

I’m enjoying reading the insight and witticisms of the Indie Breakfast Club blog, which casts a wide net over entrepreneurship and what it means to be one and still have a conscience.

WE'RE THINKING

Ze Frank’s iconic videoblog may be long dead, but he’s been plugging away, filling his little corner of the interweb with awesome stuff. His latest invention is a little voice-based face drawing toy that creates lines that differenciate according to the volume of the user’s voice.

Date Night, starring Steve Carell and Tina Fey, is an hilarious comedy set in New York City. A case of mistaken identity turns a bored married couple’s attempt at a glamorous and romantic evening into something more thrilling and dangerous.

WE'RE TRAVELLING TO

Charles-Édouard Jeanneret-Gris, or ‘Le Corbusier’ is considered by many to be the most influential architect of the twentieth century. His designs are responsible for urban structures around the world, from the grid-city of Chandigarh in India to London’s Barbican Centre, which is currently hosting an exhibition of his work. But to peg him as an architect overlooks an awe-inspiring body of work that also takes in art, literature and even a new system of measurement. With this display, the first serious UK solo exhibition of his work for twenty years, we can finally appreciate the scale of his contributions.

WE'RE LISTENING TO

Metronomy are a cool little London-based group headed by producer and remix extraordinaire, Joseph Mount. The sound sits somewhere between Autechre and Vitalic: clanging keyboards and body-gurning beats laced with an undercurrent of ominous electronica. It’s not as inaccessible as much of the more twisted electro-based stuff out there at the moment, although it retains an edge perhaps unpalatable for some ears. Yet there’s a catchiness to it that is clearly roping in the crowds: their live shows are a spectacle, complete with synchronised dancing and flashing costumes. If that floats your boat, they’re playing for free at the Tate Britain, London, on 27 September.

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