WE'RE SUPPORTING

Erika Larsen’s cattle ranch photographs have a surreal yet timeless quality to them. I would never have guessed that they were commissioned by a business magazine. We caught up with the New York-based photographer recently to find out about her time on the ranch. Read more

WE'RE TRAVELLING TO

The controversial and multifaceted International contemporary art exhibition Trailblazers hits Sydney this month. Boutwell Draper Gallery will grace multimedia works by pioneering Australian, American and European artists from November 19 onwards. I’m thrilled to see groundbreaking pieces by Ben Frost, Kill Pixie, Copyright and Cleon Patterson [above], to name a few. The vast array of paintings, photography, sculpture, installation, video and digital arts is on display until December 13. C’mon, you know you want to culture your soul.

WE'RE WEARING

While I feel I am not alone in breathing a sigh of relief over this season’s purging of fluoro, in retrospect there was a lot to be learned from the experience: don’t wear all fluoro, or don’t wear fluoro at all. And we slowly trudged back to black, which, despite what other colors may think, will always be the new black. Read more

WE'RE THINKING

The artwork of James Belcher is dark and evocative, mini snapshots from an overstimulated mind.

WE'RE READING

The work on the Buero NY website is amazing — it’s my art direction obsession! So much work, so many cool clients … what a fantasy.

There was a time, many moons ago, when I would only listen to bands off New Zealand’s Flying Nun label. Yup, I would strap myself into a comfy chair, put my headphones on and, armed with a chunk of chocolate coated Peanut Slab and a can of L&P, soak up album after album of wonderfully self-indulgent low-fi melancholy. Read more

WE'RE LISTENING TO

I’m kinda obsessed with this track by Kansas City hipsters, Republic Tigers. Maybe it’s the Phil Spector-ish wall of sound harmonies or perhaps it’s the thumping bass riff, which drives the ear worm melody. Whatever. In these times of throwaway pop, it’s the well crafted and subtely produced songs that are truly memorable, and these guys have it in spades, as reflected right across their brilliant debut album, Keep Color.