Jesse Treece is a collage artist living in Seattle whose work screams simple yet complex, with interpretations of both the mundane and whimsical facets of life.

He’s somehow managed to mix both the regular and absurd, beautiful and disturbing, and put them into images that you could get lost in for hours. He is currently involved in a collaborative collage book project that is traveling from mailbox to mailbox around the globe.

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Johnny Two Tone Club is a collaborative project between some folks in Perth and Melbourne who like to do hand-pulled screen prints. International Walkman Day is the second installment in their ongoing Public Holiday Project series, which seeks to celebrate the anniversary of significant cultural events that don’t get the attention they deserve.

This is an incredibly short film about discovering the Biggest Secret. Ever. It’s part of ongoing series called Adventures in Electricity from director Davis Silis.

Wolfies Cycles epitomise all that is stylish, quirky and unique on two wheels. A handpicked collection of vintage classic bicycles, spanning trends from 1895 to 1990, with a particular focus on the 1940′s and 50′s, Wolfies Cycles is the new name in cycling cool.

The bikes have been sourced and imported from private collectors, dusty attics and backyards and have been lovingly restored to provide buyers with an authentic retro experience. Wolfies Cycles launches at a pop-up store at blank_space gallery between April 16 and 29.

Ginger Muntz is a Spanish girl who studied graphic design and later fashion design. She loves music, playing washboard, and especially drawing vintage stuff.

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James Anthony creates screen-printed apparel and housewares using images culled from science museums, vintage postcards, and other rare ephemera. Choosing visuals he finds ‘weird as hell but pleasing to the eyes’, his online store is full of t-shirts, dresses, pillowcases and other goods donning grinning skulls, stoic Victorian portraits, winged creatures, and regal stags.

If you ever asked for a brag-worthy souvenir as a kid, only to have your dreams crushed by some play it safe relative, then chances are they brought you back a tourist tee instead. Now, it may not have cemented your status as the coolest kid in school, and you certainly couldn’t take it into show-and-tell. But by the looks of Melbourne label Limedrop, you might have been onto something. Their latest collection, Places I’ve Never Been, takes inspiration from the vintage tourist t shirts they’ve collected over the years, and the cities they aspire to visit. Slip into nomad mode wearing featherweight fabrics, and travel to faraway lands without even leaving your hood. Who knew dreaming about travel could be so fun?

It’s summer in New York, it’s sunny, and I’m bored of my everyday pair of sunnies. But who has the glasses for me? Designer Linda Farrow does! Her range has so many innovative designs, without the stripes on the lenses like the Kayne West glasses sold at every street vendor in the village. Linda Farrow has the most fabulous vintage shades, and the collaboration between her and House of Holland is a gem in a sea of sunnies.

The Nine Streets, or ‘De Negen Straatjes’, is so named for the nine small, cosy streets between Raadhuisstraat and Leidsestraat, just minutes from the heart of Amsterdam. The streets house a great number of vintage stores, alternative fashion, and specialised theme stores – including some particularly good Dutch bookstores. It sure is a spectacular area, and is encased by some of Amsterdam’s finest 17th century canals. I can imagine years ago it would’ve been incredible for discovering new art, literature and fashion, but recently Paul Frank, Carhatt and Vans managed to sneak in there – amongst others – so it doesn’t feel quite so adventurous anymore. A must see all the same, some of the more eclectic vintage stores are amazing.

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This insightful and striking series of artwork by Robert Mars looks at an ‘old Las Vegas that is being replaced by corporate themed mega-casinos’. Of this series, he says: ‘My work is a chronicle of Americana. I am determined to capture the independent aesthetic of the not-so-distant past that has been replaced by homogenized corporate culture and standardized cityscapes. Industrial design, graphic design, architecture and vintage neon all render important roles in my work.

My paintings employ layers of color, subtly collaged printed matter from the 1950’s and 1960’s, and stark, black imagery. Remote, indistinct landscapes capture the once poetic, and now nearly lost highway strips of the American past. Formerly the promise of hope and prosperity; these icons are now a sign of desperation and ruin.

This group of work embodies the past 12 years of my experiences in and around Las Vegas. I wanted to document the fading icons of “sin city”, and in the process, capture the sexuality and decadence that pulses just under the surface of the desert oasis. The flamboyant colors that separate old and new Vegas inspired my palette. The vintage cars, timeless neon, and motor hotels became the primary images.

Las Vegas is a city of extremes. The big time winners share a green felt table with the down and desperate. Cigarettes and alcohol are common vices that fuel midnight to sunrise marathons. Daybreak brings air-conditioned tourists blinking into bleak, 120 degree waves of dry desert heat. Stark contrast is the norm.

I’ve always had a love and hate relationship with Las Vegas. Multiple two week stays over the years proved too long for a visit, but allowed me to absorb the city and all that it has to offer. I miss the vestiges of old Vegas that clung to the strip when I started visiting in 1995. The demolition of what made it great in the 50s, and transition to its current “theme park” vibe seemed to happen overnight. These works are my tribute to the old sin city. Viva Lost Vegas!