New York and Zurich-based artist Urs Fischer’s entropic sculptures and installations blows apart people’s expectations of what to expect at a gallery. Last year’s installation, You, at Gavin Brown was a 38-foot-by-30-foot crater dug into the gallery floor. His huge, ambitious works seem frantic and impulsive despite the immense planning and meticulous execution they often require. His mockery of physics, and the enormous scale and shock-and-awe quality of his work suggest the god-like potency of an artist, at least within a gallery space.

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Cockatoo Island in Sydney Harbour has a fascinating – if checkered – history. A former convict prison, a shipyard and a reformatory for wayward girls, the island also has a fascinating present as the site of a new installation by Swiss artist Urs Fischer. Fischer visited Sydney under the auspices of Kaldor Art Projects, whose previous projects have included Christo & Jeanne-Claude’s Wrapped Coast – One Million Square Feet (1969) and Jeff Koons’s floral Puppy (1995). Visit Cockatoo Island between now and June 3 to view Fischer’s artfully clunky and wonderfully gritty works – a skeleton climbs into/escapes from a packing case; impossibly contorted forearms are suspended from the ceiling and in the installation’s central piece, a huge knobbly structure, recalling both tree branches and disembodied limbs, spans the island’s central forecourt. A ghoulish spectacle.