WE'RE SUPPORTING

Stephen Doitschinoff, aka Calma (a Lost At E Minor banner artist), recently opened a solo exhibit entitled Novo Mundo at New York’s Jonathan Levine Gallery. The Brazilian street artist’s work is somewhat unusual and exudes an appealing spiritual vibe as he embraces the fantastical and dark imagery of churches painted in female wombs. Calma has developed his own unique language and style through imagery that creatively blends Afro-Brazilian folklore with Baroque religious iconography. ‘I personally see the church as an archaic institution that always aimed to control the masses. I think it is an appropriate symbol for corrupt modern institutions like big corporations, media channels and governments,’ he Calma. Novo Mundo is on show through until December 22.

WE'RE THINKING

This little camping trailer is a low-impact cabin complete with kitchen and sleeping area that can float on the water if you want to go out on the lake. Sounds like the funnest thing ever. Read more

Heavy metal and hip-hop are perhaps the most popular forms of rebellion for kids the world over. In Malaysia, metal — particularly black metal — has taken such a strong hold that the Fatwa Council there banned it, fearing that the music would compel listeners to rebel against religion. Contrary to the council’s intentions, black metal is as popular as ever in Malaysia, and is a recognizable cultural touchstone there, as indicated by the above clip from the 2005 film Filem Rock.

WE'RE TRAVELLING TO

You don’t have to venture far in Bangladesh to encounter a rickshaw, the nation’s most popular means of transport. Read more

WE'RE READING

I’ve been reading Julia Wertz’s web comic, The Fart Party, which is simply a first person account of her every day life. The artwork is pretty rudimentary, but that works to the comic’s advantage, making it rather accessible and earnest seeming. Updated every few days, it’s not hard to keep up, and you never have to wait long to get your next fix.

WE'RE LISTENING TO

Metronomy are a cool little London-based group headed by producer and remix extraordinaire, Joseph Mount. The sound sits somewhere between Autechre and Vitalic: clanging keyboards and body-gurning beats laced with an undercurrent of ominous electronica. It’s not as inaccessible as much of the more twisted electro-based stuff out there at the moment, although it retains an edge perhaps unpalatable for some ears. Yet there’s a catchiness to it that is clearly roping in the crowds: their live shows are a spectacle, complete with synchronised dancing and flashing costumes. If that floats your boat, they’re playing for free at the Tate Britain, London, on 27 September.

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

WE'RE WEARING

We know these aren’t exactly sold as ‘cooking’ aprons but we couldn’t resist. Some of our design savvy readers will recognize Core 77’s Hand and Eye Supply shop, which sells artist supplies, shop tools, and workwear for ‘creative laborers of all stripes’. Read more