WE'RE SUPPORTING

I just can’t get enough of British illustrator Stuart Kolakovic’s quilt-like, narrrative compositions, which abound with folksy Eastern European themes, figures and type.

WE'RE TRAVELLING TO

Look closely at the froth of this latte and you’ll see a portrait carved out amongst the grains and milk. It’s a truly a work of art and it’s a feature of the coffee served at Richmond, Melbourne cafe Flavours of Lakhoum. Check, please!

WE'RE WEARING

Ok, so superlatives aren’t really my thing but, damn … the Meet Lincoln t-shirt from emerging fashion label, Klaus Industries, is the coolest tee I’ve seen all year. Who would have thought that America’s finest would make such a striking print graphic. Read more

WE'RE THINKING

I’m totally digging Andrew Schoultz’s dense line-work and limited palette. The San Francisco-based artist deals with political and social issues, but isn’t overtly a topical artist — the textures he achieves are similar to what I strive for in my own work. Read more

WE'RE READING

Before MTV, MySpace, and viral marketing, album covers had the potential to make or break a band. First impressions count, and many a music geek have purchased albums on the cover artwork alone. So what these guys were thinking is simply beyond me. Although, if anyone has a spare copy of Devastating Dave the Turntable Slave then I know someone, ahem, who could take it off you. Read more

WE'RE WATCHING

Films involving characters faced with an impossible choice never make easy viewing, an example being the Nick Cave Australian gem, The Proposition. A nightclub manager, played with understated power by Joaquin Phoenix, is the victim here, and you actually feel truly uncomfortable as his predicament unfolds. Set in the 1980s, We Own The Night shows a real nostalgia for that period — particularly in the costumes. Read more

WE'RE LISTENING TO

If Pharrell’s calling these guys ‘geniuses’, you’d better watch out! Chester French are Ivy League prep boys from Massachusetts who have mastered an interesting Beatlesque sound tinged with Motown influences. When, in May 2007, the duo — D.A. and Max — completed their recording and their degrees (in African American Studies and Social Anthropology respectively), they were snapped up by Pharrell Williams’ label Star Trak.