WE'RE SUPPORTING

Glenn Brown utilizes the tactile and visceral nature of paint to create neo-classical and surreal works that reference the great renaissance masters as well as more recent artists such as Dali and Duchamp. Read more

WE'RE TRAVELLING TO

Tucked along one of Amsterdam’s many narrow, gorgeously paved streets, I.d.e.a. Living stocks a range of jewellery and homewares perfect for kitting out an outfit or apartment. Modern whites, splashes of strong colours, clean lines and a distinctively European style make

WE'RE WEARING

Now, I know it’s not hard to simply turn your wrist to tell the time, but the Diesel DZ9044 is a stylish watch that lets the user become that little bit more lazy. What’s more, if the watch is a gift, the clean face can be engraved to add that personal touch. Yes, wink, wink, indeed. Read more

WE'RE THINKING

With so many photographers these days making over-stylized digital images, it’s great to see someone like Marlene Marino still working in 35mm. Her use of only natural light, and her languid, straight-forward framing result in intimate, grainy, and candid-feeling pictures that feel like they’ve come out of a forgotten drawer somewhere. Read more

WE'RE READING

The demise of our beloved print medium is a harsh reality that a lot of independent magazines have been dealing with for the past five years at least. So we all frequent a ton of different sites that we like and one in particular that’s really given itself a pick-me-up online, for the better good of longevity and legacy, is Planet magazine. Read more

Produced by our talented friends over at Miami-based studio, Common Machine, this is the first installment of a new bi-monthly series of exclusive Lost At E Minor videos that they will be putting together for us. This one is on marionette maker, Pablo Cano, who uses ‘mundane objects to create magic on a string’. And he does. We hope you enjoy!

WE'RE LISTENING TO

I don’t do yoga. I have nothing against it, but it just seems a little too new agey for me. However, if I do eventually try it, I’d like the instructor to put on Fabio Orsi’s moody, ambient, drone experiments. Using piano, guitar, percussion, field recordings, and various sampled elements, Orsi creates some beautiful, meditative pieces that, while undeniably fruity, are still weird enough to hold my interest.