WE'RE SUPPORTING

Nice use of color in the work of London-based David Sykes, a still-life photographer whose clients include Monocle, JWT, Heinz, The Guardian, Wallpaper and DDB London. Read more

WE'RE TRAVELLING TO

Having lived in New York for over two years now, transplanted from the sunny beachside landscape of Sydney, Australia, I appreciate the gritty realism, yet positiveness and vibrancy in the photographic series on Manhattan locals by British writer and photographer, Ian Woolverton. In addition to his talents with the lense, Woolverton also has two humanitarian awards: one for the Australian Red Cross Service Medal for his achievements in the Bali bomb response and the other, Australian Government’s Humanitarian Overseas Service Medal, for covering the tsunami in Aceh. Read more

WE'RE WEARING

Luxury goods have been getting a bad rap lately, and for good reason. Now I don’t know how you roll, but we don’t know many people who enjoy covering themselves head-to-toe in someone else’s initials. Yet for some reason designers think that diamante logos and monogrammed tapestries are the best mediums to communicate their brand. So it’s just as well LA based eyewear label Barton Perreira doesn’t play by the rules. Starting out less than a year ago, you won’t find their designs getting over-excited by insignia. Instead, these guys hand make their frames in Japan to rely on precision, fit and design. And that’s the way it should be.

WE'RE THINKING

Our friends over at Australian website Sex In Art have posted a (very tastefully done) nude by London artist Kes Richardson, who uses soft colours to give his work a pop art quality.

WE'RE READING

Rack is a quarterly bilingual magazine, published in English and Chinese, and geared towards Asian influenced global youth culture. Read more

Sydney indie heroes (in the nicest possible way), The Paper Scissors (TPS to those that know the secret handshake) have made a video for their new single, The Bandit. And it’s good. Damn good.

WE'RE LISTENING TO

So 2008 brings its first great album of the year, the self-titled release from Susanne Sundfør, put out on a small label — Your Favourite Music — and a totally unsettling and challenging listen. Read more