Big eyes with excessive mascara, stick-thin limbs, pointy fingers, oversized heads, and a brooding background. Very ‘The Nightmare Before Christmas’. Now apply that style to something very cute and whimsical like Disney’s ‘Frozen, and you’ve got something that’s beautifully dark. Japanese artist Yoko did just that by illustrating some of our favourite Frozen characters in […]
Thanks to a tweet from Openculture, we followed the trail to a series of pictures by Imgur user stoopidtrooper, who first stalked out the filming locations of Tim Burton’s seminal 22-year-old masterpiece Edward Scissorhands, then roped in a pal to play body doubles from the film scenes.
We love the the new grotesquely gorgeous stop-motion animation, Frankenweenie, directed by the rather bizarre, yet brilliant Tim Burton. Frankenweenie was originally written by Burton in 1984 and is a parody of Mary Shelley’s Frankenstein. After 28 years, it will be shown in Australian theaters this Summer.
Not long after the recent cine-remake of the 1960s TV series, Dark Shadows, which starred the effervescent Johnny Depp, comes another grotesquely gorgeous stop-motion animation, Frankenweenie, directed by the bizarre Tim Burton. Frankenweenie was originally written by Burton in 1984 and is a parody of Mary Shelley’s Frankenstein. After 28 years, it will be shown in theaters in October. Before watching the full length, make sure you give its 30-minute version a view first. Check out young Sofia Coppola’s cameo in it, too.
Michael Kutsche is a German-born concept artist, producing work of such stunning richness and complexity that the broader project almost becomes irrelevant. He is responsible for the insane visual progression of Lewis Carroll’s Wonderland that we saw in the Tim Burton film. Also, most recently, he did some incredible work for the upcoming John Carter film, which promises to be one of the year’s more visually stimulating flicks.
Tim Burton was an Executive Producer on this. It’s a bit of a worry when the biggest name attached to a film is one of the people who put up some money to get it made. Wes Craven’s name has been bastardised in a similar way, and last week I saw Hellride, which had Quentin Tarantino as an Executive Producer. It rocketed into my top five worst films ever. Anyway, back to 9 and the dark colours and detail of the animation does closely resemble a Tim Burton film.
A brooding, psychotic Johnny Depp slitting throats against one of Tim Burton’s most macabre backdrop’s to date should be all the encouragement anyone needs. The music might discourage some, but it’s so well integrated with painstakingly constructed sets, costumes and fine performances that it only adds to the experience. Depp’s softly spoken-sung lyrics convey palpable emotion, while all the actors display exceptional vocal talents.