WE'RE SUPPORTING

Of his photo series — Tales From The island — New York photographer Jiri Makovec says: ‘Within the city’s rigid grid, moments of mystery and terror unveil, and are captured as a series of encounters and events. Whether the viewer is facing truth or fiction, this body of work shows the photographers’ relationship to the city’. Read more

WE'RE TRAVELLING TO

While Flushing is still the place to go for the best Chinese food in New York City, those for whom the hour-long subway ride on the 7 is simply out of the question on most nights can now get their mapo tofu fix right in Manhattan. While the masses queue out the door at Joe’s Shanghai across the street, Famous Sichuan offers real-deal Sichuanese food such as cold sliced beef tendon in chili sauce, braised fish fillet with napa cabbage and roasted chili, and the most delicious cumin lamb this side of the East River. Read more

WE'RE WEARING

I’ve always been an avid follower of the Comfort Station brand in Cheshire St, London, so I decided to pop in on Sunday to have a look at their new collection. It’s unique and different, featuring railway tracks and my favourite barometer necklaces, where you can rate the way you, or someone you’ve just met, is feeling, with indications of stormy, fair and excellent.

WE'RE THINKING

I love the colour and textures that permeate Brooklyn illustrator Ilana Kohn’s work. A Pratt graduate, Kohn ‘works mainly through combining traditional painting techniques with various manners of collage and occasional digital media’. Read more

WE'RE READING

In this post-everything mash-up culture, it’s still sometimes disarming to see how a small tweak can completely change the meaning of iconic images. Read more

The Australian film collective behind the sci-fi spoof, The Time That Time Forgot, perfectly capture the look and feel of awkward, low-budget rip-offs from the ’70s — the psychedelic lighting, bad dubbing, and amazing hair. One almost wishes Italian Spiderman was for real. [more about Italian Spiderman]

WE'RE LISTENING TO

David Holmes’ fourth solo album has been a long time in the making. The man who is best known for his scoring of films such as Ocean’s 11, 12 and 13, and remixing for bands like U2 and The Manic Street Preachers, took just over ten years to make his latest album. Read more