WE'RE SUPPORTING

Good thing Kris Kuksi channelled the trauma of growing up with an alcoholic stepfather, his disdain for ‘the typical American life and pop culture’, and his fascination with the macabre into obsessive, baroque assemblages, paintings, and drawings. Read more

WE'RE TRAVELLING TO

The perfect balance between shiraz and parmesan is what came to mind when we met Nat Denning, a fashion retailer and Michael, a retail shopfitter, who have combined to create Fallow, one of Australia’s most stylish and unique boutiques. Read more

WE'RE WEARING

I’m not a watch wearer, but if I was, then I’d be rocking the wickedly cool new range of Diesel timepieces. The Basel 2008 collection is a sparkling, futuristic, retrotastic anagram of style, character and precision — of the digital variety. My favorite? The 1980s-themed watch above, with its ’silver metallic leather cuff’ and ‘reflective shine’. Read more

WE'RE THINKING

The AirPiano is an innovative musical interface which allows the playing and controlling of software instruments simply by moving your hands in the air. Above the AirPiano is a virtual matrix of keys and faders, each assigned with MIDI messages ready to be triggered. The length of a triggered note is equivalent to the time a hand is placed on the corresponding virtual key, which is also confirmed by LED feedback.

WE'RE READING

UK music journalist Everett True comes from the Nick Kent school of writing: live the life and hope to come out the other end with one hell of a story. And he has. In this case, the story of Kurt Cobain and Nirvana. In this exclusive piece, he talks about his association with Seattle’s finest and his friendship with the perennially troublesome Courtney Love. Read more

Sparks’ album Kimono My House is a demented mix of hard rock, pop, glam, new wave, and baroque pop. Why this record never caught on in the States I’ll never know. The songs will get stuck in your head and prevent you from sleeping. Oh yeah, and the keyboard player has a nice mustache too, as evidenced by this track above — This Town Ain’t Big Enough.

WE'RE LISTENING TO

I usually steer clear of anything smelling of disco-breaks: the thought just bores me. But with Padded Cell’s new release, Night Must Fall, I see a bit of a U-turn on the horizon. There’s something really interesting going on here: it’s a cocktail of 80’s swank laced with woozy narcotic undertones and flecked with snappy drum loops: weird, undeniably dark and ominous, but nonetheless pretty damn satisfying. Read more