WE'RE SUPPORTING

London-based illustrator Kerry Roper is fortunate enough to work mainly in the music and fashion industry. His art combines traditional illustration, photography and typography. He scored the lucrative Snickers campaign in America and has been featured in many books and magazines.

WE'RE TRAVELLING TO

On the roof of Bangkok’s Banyan Tree Hotel is a dining experience like no other. The Vertigo Bar sits sixty one floors up, and serves delicious gourmet meals and cocktails. These are expensive by Thai standards, but cheap enough for shoestring travellers to indulge in now and then (a cocktail costs around AUD$12). I’ve spent hour after hour in the bar, drinking and smoking and taking in the amazing view. Most nights at Vertigo end the same, with fast-moving storm clouds rolling in without fail at about eleven pm. While wait staff scurry to move tables, and drunken diners navigate the steep stairs down to the safety of the hotel, the more hardy can sit and watch the clouds race closer and closer towards the building, soaking in both the atmosphere and the rainwater until the lightning gets too close for comfort.

WE'RE WEARING

I’m not much of a jewelry guy, but if bling is in order, it’s ordered from my man Osa at Complete Technique. Originally from Japan, Osa is now based in Dumbo, Brooklyn and makes the finest metal jewelry, on par with any of his ancestor’s samurai swords. From speaker rings to turntable pendants, it’s all fresh and mostly music or hip-hop related. He’s been at it for about ten years and works harder than most people I know. If you need some jewelry, show him some love.

WE'RE THINKING

There’s been an interesting trend recently in print and advertising work in particular away from the perfect symmetry and airbrushed cleanliness of vector art and back towards a looser form of hand-drawn illustration. I see it everywhere, from the middle pages of highbrow pop culture publications to the style sections of local broadsheets. And yet, it’s unexpected, especially so soon after the wave of vector art which swamped the print world just a few years back. Read more

WE'RE READING

We asked Ham and Pete, from New York band The Walkmen, to give us the rundown on the music that is inspiring them right now and they started off with a track from that elder statesmen of indie folk, Bonnie Prince Billy, Goin’ to Acapulco: ‘He did a remarkable job of putting a unique spin on a classic. It’s no small feat, and it’s a really impressive version’. Read more of The Walkmen’s Secret Playlist.

Produced by our talented friends over at Miami-based studio, Common Machine, this is the first installment of a new bi-monthly series of exclusive Lost At E Minor videos that they will be putting together for us. This one is on marionette maker, Pablo Cano, who uses ‘mundane objects to create magic on a string’. And he does. We hope you enjoy!

WE'RE LISTENING TO

There are two kinds of metalheads: those that are drawn by the hyper masculine, angry, aggressive aspect of metal, and those that are drawn by its Wagnerian drama, themes of pagan nature worship, and disdain towards modern civilization. The line between the latter and hippies is quite thin. I am one of these sorts of metal fans, which is why I also really love bands like The Lickets, an empyrean, luminously beautiful, experimental folk collective. They make music that makes you feel like a tiny speck floating in the vast oceans of existence, perfect for a night of star gazing, just like Burzum’s fourth album, Filosifem.