WE'RE SUPPORTING

New York and Zurich-based artist Urs Fischer’s entropic sculptures and installations blows apart people’s expectations of what to expect at a gallery. Last year’s installation, You, at Gavin Brown was a 38-foot-by-30-foot crater dug into the gallery floor. His huge, ambitious works seem frantic and impulsive despite the immense planning and meticulous execution they often require. His mockery of physics, and the enormous scale and shock-and-awe quality of his work suggest the god-like potency of an artist, at least within a gallery space. Read more

WE'RE TRAVELLING TO

Instead of demolishing the old Paddington Reservoir, architects TZG have incorporated into the design a new outdoor public garden in Paddington, Sydney. The results are stunning, with the nineteenth century structures providing an amazing starting point. Looking less like a garden and more like an overgrown ancient city, with the remnants of historic walls and vaults, this new public space is well worth frequent visits.

WE'RE WEARING

One of Cyberoptix most popular designs is now on some amazing hand-woven, Fair Trade silk scarves. As always, they handscreen them all in their Detroit studio. Read more

WE'RE THINKING

Vague and painterly, the work of Brooklyn artist Ryan Rozowski is populated with anonymous crowds and objects that lead you to feel as if you might be eavesdropping, albeit from a good way back. It’s like peering through the tiniest crack in the wall. Read more

WE'RE READING

We have a thumping track by Chicago-based rocker Tom Fuller [above] available for free download in the Music Download section of Lost At E Minor (pssst, it’s in third column of the site), along with new tracks by Five O’Clock Heroes, Fujiya & Miyagi, and Madlib. Read more

This interview with James Lavelle gives a fascinating window into the making of the latest UNKLE opus, End Titles, Stories for Film.

WE'RE LISTENING TO

Days Off is an incredibly catchy but smart punk band from Chicago. While they’re the best of what pop music through the ages has to offer, they’re by no means pop-punk. As infectious as their hooks and choruses are, there are enough off-kilter rhythms and complex guitar work to give their music a layered feel, putting them into a category all their own.