WE'RE SUPPORTING

Many years ago, the Italian designer Fupete and I collaborated on an issue of the magazine I was editing at the time, STU, his intricate art direction giving space and life to the cacophony of illustrations and photography bursting from its pages. The guy is one hell of an art director, and a brilliant designer as well, his latest work revealing his well-developed sense of shape and texture, which meshes seamlessly with his subtle use of color gradients. Read more

WE'RE TRAVELLING TO

If words like twentieth century, architecture, salvage, furniture and hodgepodge turn you on, then Retrouvius will enter into The Hall of Fame when it comes to showing off your new digs. I am quite partial to the Central Line Tube Table, being that I take the line everyday. ’Dining on’ instead of ’schlepping in’ could expand relations with the city. You also might enjoy poking through their project page for home inspirations.

WE'RE WEARING

The Virtual Shoe Museum was initiated by Liza Snook in 2004. Once the idea was born, a long search began for designers, photographers and publishers connected to shoes. New friendships developed and their mailbox filled with loads of material on fantastic shoes, art and design on shoes. The Shoe featured above is the Electric Light Shoe by Strawberry Frog.

WE'RE THINKING

Ok, so this is actually an artwork by Will Cotton, but it fits every criteria for my dream house, aged 6. Smartie wall coatings? Check. Biscuit entryway? Check. A smiling lollipop garden, sitting over luscious dollops of magnificent cream? You betcha. Ah, please, take me there. Now. And give me a decent sized spoon for my troubles.

WE'RE READING

The Occasional Diaries Of Werner Herzog is a spoof online diary for German film director, Werner Herzog. Although they’re all fiction, I enjoy reading them as much as if they were genuine. Read more

‘Lost’ is the most recent film production in the urban art series produced by Tokyo-based art crew Rinpa Eshidan. Read more

WE'RE LISTENING TO

I’ve heard whispers that Kings Of Convenience, the Norwegian duo of folkloric proportions, have split. I hope they’re unfounded, but like all good rumours, where there’s smoke, there’s fire. Perhaps Erland Oye is enjoying the unlimited scope of his solo career too much? And then there’s his new submorphic guitar pop project, The Whitest Boy Alive, to keep him occupied. The whitest boy alive? Indeed he is. But damn the guy can sing.