WE'RE SUPPORTING

Drawing from anime and fantasy art from the past half-century of graphic design and illustration, Jason Chan’s images appeal to the role-playing geek in us all. Chan renders beautiful pixie women and expressive children with bright eyes and remarkable dragon-riding abilities — their zombie-slaying skills ain’t too shabby either. Read more

WE'RE TRAVELLING TO

Located by the Atlantic Avenue Station, in Fort Greene, Brooklyn, the BAM movie theaters are as genuine as it gets in New York when it comes to going to the movies. It features a small selection of the latest releases actually worth seeing, or you can immerse yourself in the BAMcinématek, which presents repertory classics, retrospectives, festivals, premieres, and rare films.

WE'RE WEARING

Once upon a time there was a real connoisseur of jeans, Hidehiko Yamane, as expert and demanding as only certain Japanese ‘otaku’ can be. Read more

WE'RE THINKING

There’s been an interesting trend recently in print and advertising work in particular away from the perfect symmetry and airbrushed cleanliness of vector art and back towards a looser form of hand-drawn illustration. I see it everywhere, from the middle pages of highbrow pop culture publications to the style sections of local broadsheets. And yet, it’s unexpected, especially so soon after the wave of vector art which swamped the print world just a few years back. Read more

WE'RE READING

I’ve been reading Julia Wertz’s web comic, The Fart Party, which is simply a first person account of her every day life. The artwork is pretty rudimentary, but that works to the comic’s advantage, making it rather accessible and earnest seeming. Updated every few days, it’s not hard to keep up, and you never have to wait long to get your next fix.

Run Wrake is an illustrator and animator based in London whose recent short animation Rabbit has turned him into an underground hero. Read more

WE'RE LISTENING TO

With Lungfish guitarist Asa Osborne’s latest project, Zomes, he continues to explore loops and cycles with endlessly repeating musical phrases, this time played on circuit-bent keyboards. The resulting tracks sound at times like medieval court music at others like the soundtrack to a Hal Hartley movie.