WE'RE SUPPORTING

My background is in street art and there are a lot of people historically who I’ve really liked. But in terms of new people, I particularly love the work of Brooklyn artist Judith Supine. It’s a surreal combination of old engraving art mixed with hand-drawn and painted images. He does paste up posters, but they’re not just square, they’re cut-out shapes of these interesting looking characters. The closest thing I could compare it to are the Monty Python animations. Read more

WE'RE TRAVELLING TO

Cambodian born photographer Frederic Chaubin is the editor of French magazine Citizen K. His photo series on bizarre buildings built in the former Soviet Union during the 1970s and 80s is absolutely fascinating. Read more

WE'RE WEARING

This pendant by Portland designer Stephanie Stimek hangs from an eighteen inch 14 carat gold chain. Made from a Japanese quail egg, the entire shell has been coated in plastic for strength and is available for purchase through the Lost At E Minor store.

WE'RE THINKING

I love Sam Weber’s illustration of Bjork. It captures the mischievous twinkle that seems omnipresent in her eyes whilst also presenting her in an environment which pays homage to her somewhat mystical musical approach. [more about Sam Weber]

WE'RE READING

I’ve been a big fan of Michelle Vandermeer’s work since I came across her Mini Majellen zines at this year’s Sydney Writers Festival. Describing herself as a doer — as in one of those people who are always doing or making something — Michelle’s work, which includes book binding, illustration, jewelery making and her zines, stems from an internal creative springboard and a double degree in architecture and graphic design. Her work is smart and succinct. Read more

Sometimes we need an ad to remind us of what’s important. Normal is beautiful. Keep our oceans alive. Vote. Be more fearless. The Whitehouse Post is an international post-production company whose projects are damn fine. In fact, they are the scary mix of wit and aesthetics that makes any message convincing. Long live Coca-Cola.

WE'RE LISTENING TO

David Holmes’ fourth solo album has been a long time in the making. The man who is best known for his scoring of films such as Ocean’s 11, 12 and 13, and remixing for bands like U2 and The Manic Street Preachers, took just over ten years to make his latest album. Read more