WE'RE SUPPORTING

I’ve just discovered the work of Arien Valizadeh and I’m very impressed. His Iranian-American background (he studied under a master Farsi Calligrapher) has shaped his artistic vision, which maintains the classical presence of Persian figurative painting. If that’s all too much, then explore his use of print and pattern and the dramatic color schemes he employs.

WE'RE TRAVELLING TO

One of my favourite venues in New York is Brooklyn’s Union Hall, right around the corner from Tamari, a super sushi joint. Upstairs they have two massive fireplaces burning and a bocce ball court. Yup, bocce. Downstairs you feel like you’ve walked into the museum of natural history where you can see live bands on a stage reminiscent of grandma’s living room.

WE'RE WEARING

Australian-born creative, Marc Newson, is considered to be one of the most influential designers of the past few decades. Having originally studied jewellery and sculpture at Sydney College of the Arts, ‘he started experimenting with furniture design as a student and, after graduating in 1984, was awarded a grant from the Australian Crafts Council, and staged an exhibition — featuring the Lockheed Lounge — at the Roslyn Oxley Gallery in Sydney’. Read more

WE'RE THINKING

Yann Gross’ photos of tattooed bikers, cowboys, drag races, and Confederate-flag-adorned trailer homes are unnerving documents of the American experience. But his subjects aren’t American, they’re residents of the Rhone Valley in Gross’ native Switzerland. Judging from his photos, Europeans don’t necessarily look down their noses at the U S of A. Some of them actually celebrate it, blemishes and all.

WE'RE READING

The work on the Buero NY website is amazing — it’s my art direction obsession! So much work, so many cool clients … what a fantasy.

Back in the day, New Zealand pop absurdists, Split Enz were the finest damn Australasian band around. This track, I Walk Away, off their final album — Spellbound — is their ultimate moment: a hefty dose of pure melodic majestry, wrapped around the aching lyrics and quirky arrangements of genius frontman, Neil Finn.

WE'RE LISTENING TO

Metronomy are a cool little London-based group headed by producer and remix extraordinaire, Joseph Mount. The sound sits somewhere between Autechre and Vitalic: clanging keyboards and body-gurning beats laced with an undercurrent of ominous electronica. It’s not as inaccessible as much of the more twisted electro-based stuff out there at the moment, although it retains an edge perhaps unpalatable for some ears. Yet there’s a catchiness to it that is clearly roping in the crowds: their live shows are a spectacle, complete with synchronised dancing and flashing costumes. If that floats your boat, they’re playing for free at the Tate Britain, London, on 27 September.