WE'RE SUPPORTING

I was just thinking about how I want to really retain big, sweeping brushstrokes in my paintings, even while trying to achieve depth and detail, when I stumbled across the work of Sander van Deurzen, which is truly inspiring. Read more

WE'RE THINKING

Back when I was an ankle biter, the best I got for my birthday was a thick, dripping chocolate cake, with a handful of candles on top. These days, the kids are getting a bit more … errr … demanding, as this incredibly artful collection of kiddie birthday cakes suggest. Read more

I don’t get Flight of The Concords. I just don’t find it funny. I also don’t get most comedy these days. It’s so derivative and clichéd. Everyone wants the same laughs. I like comedy that pushes the boundaries in strange ways. Fonejack is one underground unit that have had me rolling around on the floor with their real life skits. Read more

WE'RE TRAVELLING TO

Monet and The Impressionists is on display at Sydney’s Art Gallery of New South Wales until January 26, 2009. Alive with bold brushstrokes and dappled colours, the exhibit features 58 masterpieces by Cezanne, Manet, Degas, Renoir, Pissarro and Monet himself, among many others that have never been shown in Australia. It was amazing to view some of the finest quality works that revolutionised modern painting and the way natural light is portrayed on canvas. Go Monetise yourself and see Rough Weather, and all those serial haystack paintings.

WE'RE READING

DM Stith recently signed to Asthmatic Kitty, the same label as Sufjan Stevens, and has a new EP out this week titled Curtain Speech, featuring contributions from Shara Worden (My Brightest Diamond), Rafter, Sebastian Krueger and the string quartet Osso. Think Animal Collective and Grizzly Bear meets Arthur Russell. We got the rundown from him on his eight favourite songs right now and he kicked off with The Shangri-Las’ Out In The Streets [listen below]: ’1:22 – 1:43 is a miracle. I’ve never been so obsessed with twenty seconds of high-hat and high school girl shrieks: it’s a raging teenage fantasy that all the composition notebooks in all the lockers of 1965 couldn’t write better. That the singers have managed to preserve their naivety perfectly in this three minute song may be the reason I feel recording pop music is worthwhile’. Read the rest of DM Stith’s Secret Playlist.

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WE'RE LISTENING TO

Metronomy are a cool little London-based group headed by producer and remix extraordinaire, Joseph Mount. The sound sits somewhere between Autechre and Vitalic: clanging keyboards and body-gurning beats laced with an undercurrent of ominous electronica. It’s not as inaccessible as much of the more twisted electro-based stuff out there at the moment, although it retains an edge perhaps unpalatable for some ears. Yet there’s a catchiness to it that is clearly roping in the crowds: their live shows are a spectacle, complete with synchronised dancing and flashing costumes. If that floats your boat, they’re playing for free at the Tate Britain, London, on 27 September.

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WE'RE WEARING

There’s a fun range of prints up on the Boo Ware site, a Sydney based t-shirt label that began selling at the legendary Paddington Markets in 2003. You can still find them there every Saturday morning. Their tees are ‘soft and comfortable with original, quirky prints’.