WE'RE SUPPORTING

Stephen Doitschinoff, aka Calma (a Lost At E Minor banner artist), recently opened a solo exhibit entitled Novo Mundo at New York’s Jonathan Levine Gallery. The Brazilian street artist’s work is somewhat unusual and exudes an appealing spiritual vibe as he embraces the fantastical and dark imagery of churches painted in female wombs. Calma has developed his own unique language and style through imagery that creatively blends Afro-Brazilian folklore with Baroque religious iconography. ‘I personally see the church as an archaic institution that always aimed to control the masses. I think it is an appropriate symbol for corrupt modern institutions like big corporations, media channels and governments,’ he Calma. Novo Mundo is on show through until December 22.

WE'RE TRAVELLING TO

There’s a shop on Smith Street in Melbourne where all young designers go to live. In.cube8r supports all things craft and handmade in Melbourne, running like a long-term market, with the gallery divided into different areas that the artists lease for a tiny cost. There are more than 75 of Melbourne’s top crafters on show and the gallery is always looking for new designers.

WE'RE WEARING

If you’ve ever wanted to work your alter ego’s dark side without looking like a total emo, now’s your chance. New kid on the block Ben Pollitt is shaking things up with his label Friedrich Gray. And the best part about it? Pollitt’s androgynous range has a little something something for everyone. Read more

WE'RE THINKING

Project Squadt’s latest skull-masked collectible figure is already sold out, but it’s worth taking a look at their site to be ready when they unveil the next one. I’m not much of a toy-freak, but these are still pretty nifty.

WE'RE READING

A while back, McSweeney’s posted Prescription Drug or Metal Band?, a list of words that were either the name of a metal band or a pharmaceutical, on their website. Read more

Oh man, what I wouldn’t give to be able to sing like Neil Finn. His voice rasps with all the sincerity and integrity of a thousand heartfelt melodies. Heck, I’d probably trade my prized collection of Archie comics for just the chorus on this song. Driving Me Mad? You betcha(dupa). This man is a treasure. Bow low indeed.

WE'RE LISTENING TO

Where would we be without synths and drum machines? Probably still listening to Grateful Dead jams in the alleyways of Height-Asbury. Done well, the remix is a wonderful thing. Case in point is Royksopp’s rendering of the Kings of Convenience track I Don’t Know What I Can Save You From. And then there’s Riton’s version of the Mystery Jets song, The Boy Who Ran Away. A White Lines for the 21st Century? I think so.