WE'RE SUPPORTING

Australian illustrator Ken Taylor has created imagery for some of rock n’ ’roll’s great purveyors of sound, from the Rolling Stones and Queens of the Stone Age, to Nine Inch Nails and the Mars Volta. He has an easily recognizable style that screams sharp edge cool. Bold and bawdy, Taylor’s pieces use vivid colour to create a cut-out-comic-like feel reminiscent of old movie posters from the 1930s and 40s.

WE'RE TRAVELLING TO

The perfect balance between shiraz and parmesan is what came to mind when we met Nat Denning, a fashion retailer and Michael, a retail shopfitter, who have combined to create Fallow, one of Australia’s most stylish and unique boutiques. Read more

WE'RE WEARING

While I feel I am not alone in breathing a sigh of relief over this season’s purging of fluoro, in retrospect there was a lot to be learned from the experience: don’t wear all fluoro, or don’t wear fluoro at all. And we slowly trudged back to black, which, despite what other colors may think, will always be the new black. Read more

WE'RE THINKING

I’ve always had this urge to experience the great American outdoors, that picturesque world that I’ve seen in countless John Candy reruns. Yes, I’d stay in a rustic log cabin, surrounded by chipmunks and coyotes and sing John Denver songs by the fireplace. Hmmm. Maybe I’ll make it happen one day. Maybe? Nah. [painting by Mark Ryden]

WE'RE READING

I paid a visit to the local bookstore the other morning and came across The Philosophy of Andy Warhol (From A to B and back again). Read more

In Japan, when one makes squeezing gestures with both hands at chest level, one is gesturing that one wants candy — soft, round, bouncy candy. At least, that’s what this commercial would have us believe.

WE'RE LISTENING TO

One-woman noise act Child Bride makes droning, ambient, sample-laden, tribal noise that sounds like a pagan cyber-witch mourning the death of her shaman.