WE'RE SUPPORTING

Austrian photographer Reiner Riedler’s latest series — Fake Holidays — is based around the theme of simulation. It’s been exhibited at Kunsthalle Schirn in Frankfurt and will be released as a book later this year. Read more

WE'RE THINKING

We are not sure if there has been a diplomatic agreement between fish and octopii recently, but it seems that this mutual mimicry is catching on between the two species.

WE'RE WATCHING

Films involving characters faced with an impossible choice never make easy viewing, an example being the Nick Cave Australian gem, The Proposition. A nightclub manager, played with understated power by Joaquin Phoenix, is the victim here, and you actually feel truly uncomfortable as his predicament unfolds. Set in the 1980s, We Own The Night shows a real nostalgia for that period — particularly in the costumes. Read more

WE'RE TRAVELLING TO

Forget about the giant Nazca lines that can only be seen from space (ooohhh, spooky), this effort from Argentine farmer Pedro Martin Ureta to create a guitar from 7,000 cypress and eucalyptus trees is even more mind-bending. Read more

WE'RE READING

American Suburb X is best photography resource I have ever seen. Ever. I spend hours here. Interviews and features on contemporaries like Todd Hido next to a Robert Frank book I’ve never seen. Robert Adams, Gary Winnograd, William Klein, Stephen Shore, all just the tip of the iceberg. Read more

WE'RE LISTENING TO

Lindstrom, the man who single-handedly coined the term ‘minimal space-disco’ (well, perhaps nudged in the right direction by Orbital et al), recently released a new, rather ambitious, album, Where You Go I Go Too. Weaving between ambient trance and breakbeat-flecked disco, the producer responsible for the mesmerizing reworking of that tune we all secretly love, Roxy Music’s Avalon, has produced a worthy follow-up to his 2006 album, ‘It’s A Feedility Affair’. This time, however, there’s only three tracks, ranging between 10 and 29 minutes in length, and the Eno/Ferry influence is thankfully clear to all.

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WE'RE WEARING

Although these things look very cool, they could not possibly be comfortable. The artist behind them, John Kelly, wanted the clogs to resemble shoes for the Nike78 exhibition.