I’m not at all getting sick of people making hyper-realistic sculptures of deformed people and weird creatures out of silicon and real hair. Sam Jinks, like Ron Mueck and Patricia Piccinini, uses his ability to render convincing skin and flesh to creep the hell out of viewers — the skewed proportions, whited out eyes, noseless and mouthless faces, and mysterious tattoos of Jinks’ pieces are terrifying, yet they also venerate the temporal nature of our bodies.
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