WE'RE SUPPORTING

Though most know Max Bode as an art director over at the ubiquitous New Yorker, he is in fact quite an illustrator. Creating bright, clean illustrations, in a style at times reminiscent of old video games and cartoons, Bode work is a real treat, especially when stumbling across one of his illustrations in the New Yorker.

WE'RE TRAVELLING TO

When I first moved to London and didn’t know a soul, I joined up with the British Film Institute [BFI] and started going to the talks they put on. When I went to see Gene Wilder speak, all the know-alls in the audience kept asking questions, not to find out anything, but just to show off to the room how much they knew about film making. He got annoyed. Genius boy genius.

WE'RE WEARING

Can you ever really get sick of red plaid pants? Geography defying brand, Mjolk certainly doesn’t think so and looking at their Autumn/Winter ‘08 collection, it’s hard not to agree. Read more

WE'RE THINKING

Greg Brotherton creates his sculptures by transforming such common-place objects as vacuum cleaners, mixers and cars, into fantastic interpretations of myth and imagination. With an innate sense of structure and balance, Brotherton crafts surprisingly organic shapes using steel, glass and wood. The strength and fluidity that dominates both his figurative and abstract work is dictated by the process and evolves from a subconscious mechanistic state. Read more

WE'RE READING

DM Stith recently signed to Asthmatic Kitty, the same label as Sufjan Stevens, and has a new EP out this week titled Curtain Speech, featuring contributions from Shara Worden (My Brightest Diamond), Rafter, Sebastian Krueger and the string quartet Osso. Think Animal Collective and Grizzly Bear meets Arthur Russell. We got the rundown from him on his eight favourite songs right now and he kicked off with The Shangri-Las’ Out In The Streets [listen below]: ‘1:22 – 1:43 is a miracle. I’ve never been so obsessed with twenty seconds of high-hat and high school girl shrieks: it’s a raging teenage fantasy that all the composition notebooks in all the lockers of 1965 couldn’t write better. That the singers have managed to preserve their naivety perfectly in this three minute song may be the reason I feel recording pop music is worthwhile’. Read the rest of DM Stith’s Secret Playlist.

Back in the day, when I was a skinny teenager on the great pedestal of life, I had a real obsession for the understated, low-fi, deliciously melodic and somewhat blurry sounds of the New Zealand Flying Nun bands. I would pool my meagre savings and canvas the local record shops, scouring the racks for the latest cassettes from The Bats, The Chills, The Clean, and, later, The Straitjacket Fits. Read more

WE'RE LISTENING TO

After getting lost in the quagmire that is the internet, M83’s Digital Shades, first released digitally in 2007, has just been given a space on the shelf in your nearest music shop. Before shooting to acclaim with Saturday=Youth, Anthony Gonzalez looked closer to Krautrock and Eno and produced this ambient sometimes beautiful record. There’s much less of a disco feel than both Saturdays and his first album, Before the Dawn Heals Us. Some might say it’s a bit self-indulgent, not easily accessible, and more of a soundscape than a pop attempt. Yet, like Eno, Gonzalez is slowly becoming a master of the perfect chord sequence, and the result is an interesting, often heart-wrenching, set of compositions. Read about M83’s favourite songs right now.