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October 31, 2008 | New Events | by Zolton Highly recommended by the LAEM team. |

There’s an interview with myself and my Lost At E Minor co-founder, Zac, on the latest installment of the always interesting and insightful Not Quite Art television series. In it, we speak about the changing landscape of global popular culture in this increasingly digitial age. Bear in mind when watching it that my interview was conducted via Skype video at around 3.20am. Hence the tired eyes and coffee perky demeanor. This excellent series is produced, written and fronted by Marcus Westbury [above], who has this to say about the inspiration behind his exploration of where our collective creative consciousness is heading: ‘When I was a kid, the cultures I had to choose from were pretty simple. If it wasn’t in a book store, a record store, a local gallery or performance centre, something I could find at a video store or read in a magazine, I didn’t know about it. Kids today have access to virtually all the culture in the world, from comic books to computer games, encyclopaedia and images, to the web as a gallery and reference library, to the history of art. Our culture is shifting from the hierarchical, local and parochial structures, to a global and networked world where Australian artists, musicians, critics and troublemakers have audiences of millions around the world, yet often remain relatively unknown in their local community. Series Two of Not Quite Art shows how the cultures that have great impact on us have less and less to do with where we live anymore or even what country we are in’.

 

I really like Austin-based artist Forrest Elliot’s mysterious, abstracted paintings. Juxtaposing thick and layered brushwork with wispy, washed-out sections, his pieces are as much about textures as they are about their subjects. Read more


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At a gig last year Foals were forced to abandon their last song halfway through because the stage was stormed by too many crazed fans. The reason behind the hype they’re creating, both on stage and in the normally merciless media, isn’t immediately clear upon first listen: the sound is less than friendly on the ears, and they don’t employ the same catchy hooks and melodic chorus patterns that shoot your average band to fame in their early years. Read more

Obsessive, impossibly intricate art can sometimes veer off into self-congratulatory messes, overwhelming viewers while not having any real substance. Vasco Morao’s Escher-esque line drawings are rather simple, however, and have a gorgeous, meandering, and meditative quality about them. Read more


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There’s no place in the world like Cuba’s colourful and crumbling capital. Riddled with contradictions, it’s a foodie’s worst nightmare and a photographer’s paradise. People really do dance in the streets, drive 1950s Chevvies, and smoke big, fat cigars. However, it’s all set to change. In December last year, while Cuba celebrated the fiftieth anniversary of its revolution, President Obama said he’d soften America’s trade embargo, and Raul Castro said that he’s ‘ready for talks’ with the new American government. While this could mean long-overdue relief for Cubans, it could also leave one less truly fascinating place on the globe to visit. So go. Now.

The Liars were in the Netherlands recently and we came across some kids doing this dance. It’s really bizarre to watch. Read more

Jules Kim is the designer behind the jewelery label Bijules, which is based out of New York. This entire accessory line including hairrings, using real and synthetic human hair. This collection called Haire allows you to clip on colored pieces and daring do’s without having to commit.

Before MTV, MySpace, and viral marketing, album covers had the potential to make or break a band. First impressions count, and many a music geek have purchased albums on the cover artwork alone. So what these guys were thinking is simply beyond me. Although, if anyone has a spare copy of Devastating Dave the Turntable Slave then I know someone, ahem, who could take it off you. Read more

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Chip7

Richmond-based graffiti artist Chip7 has a style that is at once urban and also vaguely tribal with their crude lines and rich patterns. Read more

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Almanac Market

Almanac Market in Philadelphia is slightly pricey, but you definitely get what you pay for. Offering fantastic bread, cheeses, produce, and cured meats such as sopressata and pepperoni, it was a great pit stop when my band played in town, and definitely more economical and tasty than hitting a greasy spoon for road snacks.

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The Swimmers

I live the upbeat, feel good tempo of the new single — A Hundred Hearts — from Philly group, The Swimmers. Off their latest album, People Are Soft, this song is a strangely fitting anthem for the blustery day outside.

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T-post: the world’s first wearable magazine

So here’s the scoop. Every six weeks, T-post subscribers get a new t shirt issue in the mail, with a news story on the inside and an artist interpretation of that story on the front. Yes, we agree. It’s clever, clever. Read more

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Mike Stimpson

Check out Mike Stimpson’s Lego reinterpretations of classic photographs. Stimpson’s version of Malcolm Browne’s iconic 1963 photograph of the self-immolation of Thich Quang Duc is particularly twisted. Read more


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Wolfmother. Rock n roll. Mystical lyrics. Heavy riffs. They have a new album out, Cosmic Egg, and we have five copies to giveaway, along with their debut album. To enter, tell us your favorite Wolfmother song and the city you live in. Yo! Two fingered salute. Read more

Made from 100 percent organic cotton and eco-friendly, this super soft tee celebrates a sinister world of kaleidoscopic colours and ripples of psychedelia, of serenading Queens, of dancing flamingos, of unimaginable euphoria. It’s all the work of Sydney label, Das Monk and it’s available through the Lost At E Minor online store for just US$40. Now, there’s one hell of a Christmas present, even if we do say so ourselves! Read more

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