Combining traditional collage, printmaking, and painting techniques, Micah Danges creates layered images that seem to come from a post-human futureworld.

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Drawing from her experience as a printmaker (she was one half of Scotland-based printmaking duo Whitehaus), Cody Cochrane, now residing in her hometown of Toronto, makes amazingly layered and ornate paintings and murals that often incorporate Native American motifs with bizarre sexual humor.

Canadian printmaking student Andrew Remington Bailey turns his drawings into some pretty impressive prints considering he hasn’t graduated yet. His style draws from tribal patterns and graphic novels, and can range from grotesque to hauntingly beautiful.

Born in a sub-provincial city of China, and raised in the suburbs of Northern California, Brooklyn-based artist Jing Wei attended the Rhode Island School of Design where she ‘developed a great affinity for printmaking, snow, and pizza’.

I’m a sucker for just about anything to do with printmaking. UK illustrator Jonny Hannah makes a very strong case. Busy, colorful, spontaneous and brimming with inspiration, THIS is the stuff amazing is made of.

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New York’s Heist Gallery, situated in the city’s steamy Lower East Side, is presenting the work of Chris Rubino, a versatile artist who has created a vast array of imagery through illustration, printing, graphics and photography. The simplicity and flattened forms that dominate his visuals capture pieces of our daily language in minimal forms. For his solo exhibition at Heist, titled Make Believe Maple Leaves, Rubino incorporates the written word into a complex world of iconic lexicon, drawing from process-oriented sketchbook drawings created over the course of one year. Rubino infuses his creations with color using pastel, paint, colored pencil and printmaking. Exuding a faster yet less mechanized energy, this body of work mirrors the way we process imagery and information today.