Amazing print making by Edel Rodriguez
Edel Rodriguez is a brilliant illustrator with an unique and clever way of thinking. His work, with printmaking-like texture, is very graphic and deep with substance.
By Vivian Shih in New Illustration on Wednesday 19 December 2012
Edel Rodriguez is a brilliant illustrator with an unique and clever way of thinking. His work, with printmaking-like texture, is very graphic and deep with substance.
0By Barry Morris in New Art on Thursday 24 May 2012
London based illustrator and printmaker John.C.Thurbin uses lino-cuts as his weapon of choice to create beautiful prints of his traditional tattoo inspired illustrations.
0By Gemma Robinson in New Art on Thursday 17 May 2012
Hazel Nicholls is a London-based artist and printmaker. Her blog reveals an insight into the working process that goes into creating her lovely screen-printed goods, which she sells through her Etsy shop. Her simple, graphic prints are influenced by a love of cross-stitch and an interest in old sayings and phrases, which are incorporated as typographical elements in her designs.
0By Travis Lawrence in New Art on Wednesday 9 May 2012
I once heard Tyler Krasowskisay: ‘To be a great printmaker, you first have to know how to draw. Then you have to learn how to carve. Then you have to know how to print it’. Krasowski’s work lies somewhere between the notebook sketches and a daydream. Whether it be an eyeball taking a boat ride he did for a Pearl Jam design, or a meat-grinding shark being bombed by fighter planes, he is going to take you on a hallucinogenic ride through the clouds. Just make sure you watch out for those giant flying snakes.
0By Chi Birmingham in New Illustration on Tuesday 3 April 2012
After focusing on traditional print making techniques in college, Pat made a career change and brought his hand hewn line quality to the editorial illustration market. With a foundation in strong drawing and composition, what distinguishes his work is the knack he has for finding the sinister undercurrent in even the most familiar situation. This ability has given him a loyal client base and a portfolio of very dark work.
0By Jason Dean in New Design on Friday 17 February 2012
I’m the one-man-machine behind The Best Part, a printmaking, graphic design, illustration studio in Orlando, Florida. My current work is an attempt at combining elements of humor, surprise and pop culture within the constraints of the screen-printing process.
0By Gerry Mak in New Trends on Saturday 2 October 2010
Combining traditional collage, printmaking, and painting techniques, Micah Danges creates layered images that seem to come from a post-human futureworld.
0By Gerry Mak in New Art on Friday 2 July 2010
Drawing from her experience as a printmaker (she was one half of Scotland-based printmaking duo Whitehaus), Cody Cochrane, now residing in her hometown of Toronto, makes amazingly layered and ornate paintings and murals that often incorporate Native American motifs with bizarre sexual humor.
0By Gerry Mak in New Illustration on Tuesday 8 December 2009
Canadian printmaking student Andrew Remington Bailey turns his drawings into some pretty impressive prints considering he hasn’t graduated yet. His style draws from tribal patterns and graphic novels, and can range from grotesque to hauntingly beautiful.
0By Casper Johansson in New Art on Friday 26 June 2009
Born in a sub-provincial city of China, and raised in the suburbs of Northern California, Brooklyn-based artist Jing Wei attended the Rhode Island School of Design where she ‘developed a great affinity for printmaking, snow, and pizza’.
0By Ilana Kohn in New Illustration on Monday 19 January 2009
I’m a sucker for just about anything to do with printmaking. UK illustrator Jonny Hannah makes a very strong case. Busy, colorful, spontaneous and brimming with inspiration, THIS is the stuff amazing is made of.
0By Zolton in New Events on Tuesday 13 January 2009
New York’s Heist Gallery, situated in the city’s steamy Lower East Side, is presenting the work of Chris Rubino, a versatile artist who has created a vast array of imagery through illustration, printing, graphics and photography. The simplicity and flattened forms that dominate his visuals capture pieces of our daily language in minimal forms. For his solo exhibition at Heist, titled Make Believe Maple Leaves, Rubino incorporates the written word into a complex world of iconic lexicon, drawing from process-oriented sketchbook drawings created over the course of one year. Rubino infuses his creations with color using pastel, paint, colored pencil and printmaking. Exuding a faster yet less mechanized energy, this body of work mirrors the way we process imagery and information today.
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