Jasper Knight

Stephanie Yazbek Reader Find

By Stephanie Yazbek in New Art on Sunday 9 May 2010

Treading a fine line between sculpture and painting, Jasper Knight’s art explores the relationship between his material and subject. Using materials like signs, tiles, cardboard, perspex and plywood, along with vibrant coloured paints, Knight has been a finalist for the past five Archibald Prize exhibitions including this year with his portrait of Bill Wright. [Read [...]

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Juan Arata

Gerry Mak Reader Find

By Gerry Mak in New Art on Friday 7 May 2010

If I were the CEO of a big company, I would totally hang a bunch of Argentine-born, Berlin-based artist Juan Arata’s paintings, not because they suit a corporate environment but because I like making people uncomfortable with very subtle visual cues. I said this at a job interview for a CEO position once, which is why I am not a CEO.

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Jumpology

Clare Hillier Reader Find

By Clare Hillier in New Photography on Friday 30 April 2010

Philippe Halsman is a genius photographer who during the 1950′s ended all his portrait sessions by asking the sitter to jump. Thankfully everyone from Richard Nixon to Dali and Audrey Hepburn said ‘How high?’ because the resulting series is one of mischief and glee. It is also a disarming look at some of the most famous names of Halsman’s time.

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Francoise Nielly

Zolton Contributor

By Zolton in New Art on Thursday 22 April 2010

Amazing oil paintings by Parisian artist Francoise Nielly, who uses a palette knife to achieve the dramatic textures and bold line work that punctuates her portraits.

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Maarten Wetsema

Alison Zavos Contributor

By Alison Zavos in New Photography on Wednesday 10 March 2010

Maarten Wetsema is a Dutch photographer living in Arnhem, The Netherlands. Wetsema is represented by Van Kranendonk Gallery in The Hague, The Netherlands. He has had numerous international exhibitions, and his images have appeared at Photo Miami and Paris Photo.

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Youngna Park

Gerry Mak Reader Find

By Gerry Mak in New Photography on Tuesday 9 March 2010

It takes an alert photographer to capture no-frills, naturalistic images such as those by Brooklyn-based Youngna Park. There’s an honesty about her work that’s refreshing amid the highly-produced, big-budget styles and the overly-stylized hipster verite that abounds these days.

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Petra Cortright

Gerry Mak Reader Find

By Gerry Mak in New Art on Tuesday 2 March 2010

While Petra Cortright’s irreverent new media work that incorporates animated gifs and tacky web symbols and emoticons is generally amusing, her series Portraits II is particularly amazing, the digitally smeared images becoming beautiful still-lifes and haunting portraits that truly transcend their source photos.

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Jeff McMillan

Gerry Mak Reader Find

By Gerry Mak in New Art on Saturday 20 February 2010

Jeff McMillan’s body of work represents a managerie of pop-culture icons where movie characters, Star Wars aliens, and mythical beasts collide in a carnival sideshow.

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Anastasia Cazabon

Gerry Mak Reader Find

By Gerry Mak in New Photography on Saturday 20 February 2010

Unlike other photographers delving into the subject of adolescent femininity, there’s no sense of voyeurism in Anastasia Cazabon’s images. Instead, there is a personal and mythical narrative that is perpetually beyond the grasp of the viewer, who Cazabon leaves with merely the incomprehensible minutiae, the turned backs, and the hidden faces in the wake of a small but important event.

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Amy Mahnick’s plastic bottle portraits

Zolton Contributor

By Zolton in New Art on Wednesday 17 February 2010

These skillfully and lovingly painted still-lifes and portraits of cast off plastic bottles and packaging materials have been transformed into porcelain-like figurines by artist Amy Mahnick.

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Juan Francisco Casas

Zolton Contributor

By Zolton in New Photography on Thursday 11 February 2010

Juan Francisco Casas uses his photography as inspiration for his Bic blue drawings, recreating the imagery he snaps in minute detail in his revealing but beautifully rendered portraits.

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Dido Fontana

Gerry Mak Reader Find

By Gerry Mak in New Photography on Tuesday 2 February 2010

Sometimes composed, sometimes candid, Dido Fontana’s flash-heavy photographs seem on the surface to be a pastiche of the quasi-naturalistic style many photographers seem to be working in these days, but the humorous, gritty, and surreal way in which she portrays her subtly deviant subjects has more in common with John Waters’ celebration of trash than Dash Snow’s and Terry Richardson’s smarmy, self-congratulatory hipsterdom.

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Danny Roberts

Zolton Contributor

By Zolton in New Art on Saturday 12 December 2009

Amazing! That’s about the only word that could be used to describe the work of young Californian artist, Danny Roberts. He studied Photography at Cal Poly SLO, and then Fashion Design at the Academy of Art in San Francisco. Of his work, he says: ‘When I was five, I convinced myself that pouring mud onto cardboard was how to make concrete. I began drawing as a young child, but it wasn’t until a few years ago, when I decided to practice everyday, that I started getting better’.

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Armed America portraits by Kyle Cassidy

The Uncool Hunter Reader Find

By The Uncool Hunter in New Photography on Tuesday 20 October 2009

The Armed America website compiles portraits of the owners of weapons in America. Photographer and writer Kyle Cassidy traveled more than 12,000 miles for more than two years taking pictures of armed Americans in their houses, all the while looking for the answer to the complex question: ‘Why do you own a gun?’ Cassidy’s work has become an item of incalculable value, not only because of its conceptual strength, but also because of the description of the way of living, feeling and thinking of many inhabitants of America.

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Rafal Milach’s Black Sea Of Concrete series

Alison Zavos Contributor

By Alison Zavos in New Photography on Tuesday 13 October 2009

Of his series, Black Sea Of Concrete, Polish photographer, Rafal Milach says: ‘Eight photographers from Sputnik Photos collective were asked to cover contemporary Ukraine. Some got particular assignments, but I was free to choose the topic. As I knew I would be working in winter, I decided to go to the Black Sea. I wanted to have raw landscapes and real people. It was the only time of the year when I was able to avoid the tourist facade. The other reason why I picked the Black Sea coast was the fact that, for many years, it was a place where the entire Soviet Union went for summer holidays. Since the Orange Revolution in 2004, Ukraine has been an independent country, but still, very often, people are not able to detach it from its Soviet past. You can feel that strange mixture by the Black Sea coast’.

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