WE'RE SUPPORTING

Italian artist Guido Daniele creates the most surreally brilliant portraits of wild animals using little more than body paint and a hyper-realistic imagination. Read more

WE'RE TRAVELLING TO

This is my favorite place in New York to spend a Sunday afternoon. No, I’m not talking about Central Park. But rather, The Park, a restaurant in Chelsea which took its name from its past life as a parking garage. Read more

WE'RE WEARING

Can you ever really get sick of red plaid pants? Geography defying brand, Mjolk certainly doesn’t think so and looking at their Autumn/Winter ‘08 collection, it’s hard not to agree. Read more

WE'RE THINKING

Preferring to focus on the content of her pictures rather than the style is a refreshingly honest approach to design. It’s worked out brilliantly for Swedish illustrator Alexandra Falagaras, whose works are easy to spot with their sharp graphic style. My favourite piece of hers is a contribution to The Book of Dreams, a project where kids’ dreams are collected then illustrated by artists.

WE'RE READING

From the cutting rooms of Dior through to the backstages of the Babyshambles, and even These New Puritans, it seems former Dior designer Hedi Slimane has seen it all. But his newly published photography concept book — Rock Diary — leaves me asking many questions about the symbiosis of fashion and music, especially the glorification of renowned drug addict Pete Doherty. Read more

WE'RE WATCHING

Films involving characters faced with an impossible choice never make easy viewing, an example being the Nick Cave Australian gem, The Proposition. A nightclub manager, played with understated power by Joaquin Phoenix, is the victim here, and you actually feel truly uncomfortable as his predicament unfolds. Set in the 1980s, We Own The Night shows a real nostalgia for that period — particularly in the costumes. Read more

WE'RE LISTENING TO

Metronomy are a cool little London-based group headed by producer and remix extraordinaire, Joseph Mount. The sound sits somewhere between Autechre and Vitalic: clanging keyboards and body-gurning beats laced with an undercurrent of ominous electronica. It’s not as inaccessible as much of the more twisted electro-based stuff out there at the moment, although it retains an edge perhaps unpalatable for some ears. Yet there’s a catchiness to it that is clearly roping in the crowds: their live shows are a spectacle, complete with synchronised dancing and flashing costumes. If that floats your boat, they’re playing for free at the Tate Britain, London, on 27 September.