WE'RE SUPPORTING

Brian Cooper’s almost Cubist yet trompe l’oeil paintings of boxes and architecture confuse depth and space rather like MC Escher, yet with a grittier, urban texture and detailing. Read more

WE'RE TRAVELLING TO

Summertime at McCarren Park in Williamsburg is picturesque. It’s often filled with a mix of people, old and young, picnicking or sitting in the shade, running along the track or playing soccer (or football, depending on where you’re from). It’s also connected to a now defunct McCarren (swimming) pool which transforms into an outdoor concert space on Sundays during the summer. In the past, performers such as Leslie Feist, M.I.A., The Yeah Yeah Yeahs, and Broken Social Scene have performed. Read more

WE'RE WEARING

Having just finished a collaboration with Marchesa, jewellery designer Pamela Love’s gothic-inspired line has been picked up by the likes of Erin Wasson, among other celebrity fans. Referencing both nature and science, Love has created a line that is both rock n’ roll and earthy, with talons, claws, peacocks, rams and bear heads all featuring heavily.

WE'RE THINKING

I’m such a sucker for colored pencil these days and I’m really digging the way UK illustrator Peter James Field goes at it. The pencil brings a soft, folkiness to what might otherwise be pretty straightforward renderings.

WE'RE READING

My friend and fine artist Sara Wolfe sent me this link of Chicago based artist Diego Leclery. He created this flash animation Panda, to celebrate the recent Beijing Olympics. He initially said he would take it down after the closing ceremony, but it is still up, so watch this cool one before it’s gone!

The Diving Bell and the Butterfly is a reminder of why the medium of film is so special. It features first rate visuals, performances, direction and acting, all of which fits together into one of the most insightful, powerful and touching pieces of cinema ever. Read more

WE'RE LISTENING TO

Wolf and Cub are back with a brand new single and after listening to it, I feel like I should be out in the streets, warning my neighbours of the apocalypse. The song is huge, forceful, damming and painfully exciting. Joel Byrne’s half-drawl, half-howl proclaims the end, while (in true Wolf and Cub) the drums are epic and unsettling. And then, that moment, the bass against the fading echoes. My heart broke and my brain exploded. It’s too much to take. This band will be the death of me.