WE'RE SUPPORTING

New York photographer Sarah Wilmer creates dark, nightmare-inducing photographs that have a strange sense of innocence about them. They’re like movie stills, a cross between Lost Highway and Pan’s Labyrinth. We interviewed her recently to get the inside word on the inspirations behind her work. Read more

WE'RE TRAVELLING TO

Here’s another commercial building, and no doubt a nice one too. But just another commercial building. Yet there is something different here and it’s in the materials used. The cladding is a fibre-reinforced polymer, or a FRP, and has a finish similar to that of a car. Read more

WE'RE WEARING

The divine By Marlene Birger was as charming as ever at Copenhagen Fashion Week, merging delicate feminine fabrics with the indie street cool that Western Europe is infamous for. Read more

WE'RE THINKING

The work of Ho Chi Mnh-based, French illustrator, Nadège David, is stunning: intricate patterns woven deep amongst gently rolling, and pleasantly muted, colours. Read more

WE'RE READING

Springfield Punx is a great blog that features renderings of what your favorite comic book, cartoon, and movie characters (and a few late-night talk-show hosts thrown in for good measure) would look like as characters on the Simpsons.

The Australian film collective behind the sci-fi spoof, The Time That Time Forgot, perfectly capture the look and feel of awkward, low-budget rip-offs from the ’70s — the psychedelic lighting, bad dubbing, and amazing hair. One almost wishes Italian Spiderman was for real. [more about Italian Spiderman]

WE'RE LISTENING TO

Tallest Man on Earth, the rasping Swedish folk singer-songwriter and one of the unsung heroes of 2008, recently recorded the beautiful song A Field of Birds, a nice adjunct to his summer album release, Shallow Grave. His sound is so loose and unmanicured, and carries a poignancy reminiscent of the rusty, early Bob Dylan.