When I found my way to the Artists’ Press last year, there was a forest fire raging dangerously close to this sleek, yet casual studio tucked in the rolling hills of Mpumalanga, South Africa. Despite flames visible just a few miles away, the charming Mark and Tamar calmly showed me around their space, where they just happened to be doing a special print commission for William Kentridge, an impossibly complicated replica of torn layers and ink washes. As we moved from table to table, drawer to drawer, Tamar pulled out endless treasures — prints and artist’s proofs from the likes of Claudette Schreuders and Dumisani Mabaso, as well as the incredible emerging artists that the Artists’ Press represents — that I began to run out of new ways to ‘oooh’ and ‘ahhh’ over the works they shared.
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