Lost AT E Minor

WE'RE SUPPORTING

A perennial favourite, Autumn Whitehurst creates seamless vector pieces that shimmer with lustful beauty. We asked her how reflective her illustration aesthetic is of her lifestyle aesthetic: ‘My illustrations are much more streamlined than my lifestyle aesthetic. I grew up in a family of magpies and must be genetically predisposed to collecting things I don’t need. I’ll need to move into a bigger space soon or I’ll have to start throwing things out because the visual stimulation in my house is nearly suffocating. If you’ve seen the movie Max, and remember Max Earnst’s house, that would be quite close to my ideal. But I would love to remix that with the aesthetic of those old French colonial homes in Vietnam and then I’d be quite content. How it would be possible, I have no idea’. Read more

WE'RE THINKING

Hello, my name is Zolton and I’m a text addict. That’s right, an instinctive, compulsive plier of the trade, straight from the Michael Douglas school of confessional proclamation. Yup, I don’t care if it’s quick or protracted; if it’s a group message or one just for me. I’ll take that text any damn way you can give it. And if that’s a crime in these repressed, conservative times, then so be it. Just don’t strip me of my pride. Or my mobile phone. [illustration by Nathan Jurevicius]

WE'RE TRAVELLING TO

The strategy based architectural firm Popular Architecture has created a scheme that takes on the spread of cities. Based on the estimation that London will need to provide housing for 100,000 new people each year up until 2016, this building houses 100,000 in one hit. Read more

WE'RE LISTENING TO

We’re big fans of the diverse musical output of Barry Adamson, so we caught up with him for a chat. Read more

WE'RE READING

DJ Spooky — That Subliminal Kid — is just about the deepest crate digger around, trawling the barrels of long-lost record stores for choice vinyl to spin in his wickedly dubby sets. He gave us the inside word last week on his eight favourite songs right now via our sister website, My Secret Playlist. This is what he had to say about Lee ‘Scratch’ Perry’s Panic in Babylon: ‘If there’s anything that the twenty-first century has told us, it’s that dub is the real original hip-hop. Lee Scratch even had to make it clear in 1965 by adding “Scratch” to his middle name. Take that, Grandmaster Flash!’ Read the rest of DJ Spooky’s Secret Playlist.

Back in the day, when I was a skinny teenager on the great pedestal of life, I had a real obsession for the understated, low-fi, deliciously melodic and somewhat blurry sounds of the New Zealand Flying Nun bands. I would pool my meagre savings and canvas the local record shops, scouring the racks for the latest cassettes from The Bats, The Chills, The Clean, and, later, The Straitjacket Fits. Read more

WE'RE WEARING

For an industry that spends so much time fratenising with musicians, few designers ever admit to being primarily influenced by the music industry itself. Electronic Poet are an exception. Made up of fashion industry extraordinaire Asim Khan (Excuse My French and Kounterfeit) and legendary music promoter Steve Banks (Asylum and Technique). Electronic Poet is a label that rips all the culture out of the gritty Leeds late night, electronic ethic and stitches it into your brand new clothes. Read more