WE'RE SUPPORTING

Joshua Hoffine goes through all the work of creating make-up, special-effects, and sets that horror movie creators go through, but for single photographic images rather than entire films. Read more

WE'RE TRAVELLING TO

When you first see The Gershwin Hotel, you might think it’s an art gallery or a public art installation. The white, bird-like shapes sticking out of its red facade is certainly unique, without being too loud. The rooms are rather small but the location and accessible price range makes it all worth it.

WE'RE WEARING

Australian label Eliza Clare/Adornus is the creative project of Samantha Grant, Sally Wilson and Emma Jackson and is named after Sarah Eliza Clare, a noted couturier in Sydney during the 1930s and 40s who was actively involved in the fashion industry until her early 70s. Read more

WE'RE THINKING

It’s been a while since we last checked in with one of our favourite illustrators, New York based Tomer Hanuka. His work is like the first rays of morning light on the fifth day of a week long vacation — easy on the eye but brimming with nervous anticipation.

WE'RE READING

This beautiful black and white art periodical Color Ink Book has been designed so that you can add splashes of color to any of the pages that catch your eye. This second issue features the work of more twenty five international artists, including Andy Smith, Formfieber, Marco Rached, Nathan Spoor, and Trystan Bates.

Produced by our talented friends over at Miami-based studio, Common Machine, this is the first installment of a new bi-monthly series of exclusive Lost At E Minor videos that they will be putting together for us. This one is on marionette maker, Pablo Cano, who uses ‘mundane objects to create magic on a string’. And he does. We hope you enjoy!

WE'RE LISTENING TO

Last weekend I went to the Golden West in Baltimore to check out the What Cheer? Brigade, a marching band from Providence. I wasn’t expecting much, but when they opened with a cover of Slayer’s Raining Blood, my knees buckled. I think I could hear a musak version of that riff, and I’d still bang my head. The rest of the band’s set was just as riotous, with people dancing so hard, you’d think we were at Mardi Gras. I haven’t had that much fun at a show in ages.