WE'RE SUPPORTING

Jing Quek is a young Chinese photographer from Singapore whose work has been featured in Communication Arts, Surface, and Maxim, among other publications. In Jing’s Superhyperreal world, subtle gestures and expressions combine with a tropical color palette to capture the real character of his subjects. Read more

WE'RE TRAVELLING TO

This water theatre by the British architect, Sir Nicholas Grimshaw of Grimshaw Architects, takes the form of a vertical seawater greenhouse, with the evaporators and condensers stacked vertically to maximise yield. The structure is not only a visible engine of sustainability but is also a large theatre auditorium. Read more

WE'RE WEARING

Skagen are a Danish-born design company based out of Nevada with an innovative and clean approach to their work. Their trademark product is this titanium mesh watch, which I’ve worn with pride for years. But they also produce different models of sunglasses and jewellery. When so many products these days offer extra gimmicks and weigh you down by their size, Skagen strip it all back and, in doing so, hoist themselves far above the pack.

WE'RE THINKING

Philadelphia-based artist AJ Fosik’s wooden sculptures look like Indonesian gods guarding an intergalactic temple built by time-traveling monks. Read more

WE'RE READING

Our friends over at the street art and design site, Feed Me Cool Shit have a revealing interview up with UK artist Sickboy, who talks about his earliest days on the streets. Read more

Animator Mathieu Labaye created this short film in tribute to his late father, who had been in a wheelchair for the last 15 years of his life. Read more

WE'RE LISTENING TO

I haven’t bought a CD in a while but I was strolling down Wellington’s Cuba Street looking for a bit of inspiration the other day when Liam Finn’s music tapped me politely on the shoulder and dragged me into the music store. Liam is New Zealand music royalty, of Neil Finn descent, although — with his wild hair and beard — he’s looking a bit more like a young Jesus these days. The record is made with the help of an analogue loop machine, and you’ll find the kind of stunning instrumental crescendos that I haven’t heard since The Beatles Hey Jude. He engages emotionally and spontaneously, with both skill and showmanship.