WE'RE SUPPORTING

New York-based, Australian art director Deanne Cheuk — an occasional contributor to Lost At E Minor — is one of the most adventurous and creative designers around. Her work on Tokion magazine, in particular, for which she shaped the visual direction over several years, was inspiring, pushing the boundaries by incorporating illustration, offbeat color touches and avoiding the straight portrait shots which seem to dominate the front window of every inner-city newsagency.

WE'RE TRAVELLING TO

Along with San Francisco and Barcelona, New York is arguably the modern street skating city, both in reality and image. Because of the unique background, experience and perspective of the film’s creators and the decision to “cast” the city of New York as one of the main characters, Deathbowl to Downtown promises to be an unprecedented, seminal film. Read more

WE'RE WEARING

My friend, illustrator Ai Tatebayashi, is known for her lovely color schemes and she forwarded me the link to this beautiful handknit accessory store from Istanbul. With Etsy, we can now purchase talented designer’s work from all over the world. And I couldn’t resist, I bought a necklace-scarf and cannot wait until it comes to my door! Read more

WE'RE THINKING

Berlin-based conceptual illustrator Christoph Niemann’s recent LEGO post on the New York Times blog is fantastic. He recently moved back to Germany after eleven years in New York, and apparently, he misses the city a lot. Read more

WE'RE READING

There are few more joys an artist has in life than coming across great resources for inspiration. Lately I’ve been studying typography, the meaning of words, and then something as simple as trying to find all the ‘7 letter words’ I can so that it might fit into my latest musings. Read more

Ten Masked Men are a British parody band that does death metal covers of famous pop songs by Ricky Martin, Christina Aguilera, Madonna, and many others. One of my favorites is their cover of Justin Timberlake’s ‘Cry Me a River’. It’s epic.

WE'RE LISTENING TO

Describing their sound as ‘nihilist suicide pop’, Rome-based quartet Spiritual Front draws immediate comparisons to Nick Cave, but their approach to dark themes have a hint of irreverence — they inject unexpected doo-wop flares and new wave bombast to their atmospheric neofolk. Their latest album, Armageddon Gigalo, is a beautiful and catchy masterpiece for fans of Death In June, Sol Invictus, and even latter-day Duran Duran.