WE'RE SUPPORTING

The loose linework and watercolors that mark the illustration of Victor Kerlow bring to mind several other well known editorial illustrators, but Kerlow is clearly doing his own thing. I love his White Sheik illustration, which he did for the New Yorker, in particular. The New Yorker, yes. It’s hard to believe this guy is only just about to graduate from SVA. We will most certainly be seeing more of him in the years to come. Read more

WE'RE TRAVELLING TO

Yes it may be cliched to acknowledge it, but having lived for some time now down the barrel of the loaded gun that is New York, it really is difficult to be cynical — as the folk laureate Rufus Wainwright is — about this city. Read more

WE'RE WEARING

Converse kicks off its hundredth anniversary with 1HUND(RED), a special artist series with proceeds going to the Global Fund. The project is a year-long release of shoes designed by notable artists, including Auckland-based illustrator, Dennis Juan Ma, whose shoe [above] is number twenty in the series.

WE'RE THINKING

The Obama campaign was one of the most visually effective in recent history, brilliantly tapping modern marketing concepts and design to get its message across. The deceptively simple logo they chose stemmed from an amalgamation of a lot of different concepts the Obama designers came up with. Logo Design Love just posted all the different looks that weren’t used.

WE'RE READING

Michael Wolf, a German born American photographer, has lived in Hong Kong since 1995. His work explores the ways city-dwellers in China and Hong Kong shape their surroundings in an ‘organic metropolis’. His series — Architecture of Density — has some breathtaking images of Hong Kong’s apartment buildings.

The philosophy of a beginning is to me, a wonderful concept. I really enjoy flicking through the back catalogues of a musician and discovering their origin, then tracing their musical journey to the present. So for American-born, Paris-based sister duo CocoRosie, who released their third album The Adventure of Ghosthouse and Stillborn to much acclaim, making the trip to their beginnings is more than worth the journey: their debut album, Le Maison de Mon Reve (released back in 2004) was a gentle stroll through their pop and classical influences, which melt together seamlessly into a backdrop for their unique and enchanting voices.

WE'RE LISTENING TO

One-woman noise act Child Bride makes droning, ambient, sample-laden, tribal noise that sounds like a pagan cyber-witch mourning the death of her shaman.