WE'RE SUPPORTING

This illustration by Richard Lee was on the cover of a motorcycle magazine in San Francisco, published in September 2008. They were doing an issue on motorcycle bar fights. Says Lee of the work: ‘The version I sent was the original, but the editor decided that he didn’t want the pink dildo in there, so the actual printed version was replaced with a wrench. I still think the original idea with the pink dildo was funnier’. Yes, so do we.

WE'RE TRAVELLING TO

The young architect Junya Ishigami is pushing the boundaries of the weightless aesthetic stream of architecture. Here, for the Kanagawa Institute of Technology, he has designed a glass and steel pavilion with a roof that floats on a sparse forest of thin steel columns or ‘flats’. Read more

WE'RE WEARING

The people at Nixon have created a simple but funky watch for those carefree days. The Time Teller P features a basic design made up of durable materials, spiced up with some unconventional colours. Read more

WE'RE THINKING

Remember in fourth grade, how proud you were when you cut a snowflake out of construction paper that actually looked like a snowflake, and all the other kids ooed and aahed over your achievement? Sorry, but Kako Uedo kicks your nine-year-old ass. Read more

WE'RE READING

The Boston Globe has posted some pretty phenomenal pictures taken from the space shuttle Discovery during its recent mission. It’s almost impossible to imagine that one day views like these could become mundane. Read more

Sufjan Stevens creates autistic music for introverts — soft, shy, naive, full of shadows, windows, and insecurities. Yet it all sounds slightly forced, his enigmatic songwriting as comforting as it is unsettling.

WE'RE LISTENING TO

Wolf and Cub are back with a brand new single and after listening to it, I feel like I should be out in the streets, warning my neighbours of the apocalypse. The song is huge, forceful, damming and painfully exciting. Joel Byrne’s half-drawl, half-howl proclaims the end, while (in true Wolf and Cub) the drums are epic and unsettling. And then, that moment, the bass against the fading echoes. My heart broke and my brain exploded. It’s too much to take. This band will be the death of me.