WE'RE SUPPORTING

Having been at the vanguard of Bristol’s graffiti scene for some time now, Sickboy has just released his first solo show, Stay Free, in London. The concept is a good one, although slightly reminiscent of his contemporary, Banksy. He’s transformed a Victorian Grade II listed building in East London into a ‘3D creative playground, a la a Charlie and The Chocolate Factory’. What’s more, there’s a golden ticket up for grabs. 1000 keys will be released to visitors, and the person whose key fits the lock will become the new owner of the Factory.

WE'RE TRAVELLING TO

California’s Cerasoli:LeBasse Gallery has just moved to new digs on Washington Boulevard, Culver City. And to celebrate the re-launch they have an exhibition running featuring the work of Deth P Sun, Mari Inukai [above] and Melissa Haslam, amongst others. This inaugural exhibition, the aptly titled Blender, runs until November 1st.

WE'RE WEARING

From an artist selection of t-shirts comes this limited edition David Bray illustrated silkscreened tee, distributed in a vinyl sleeve with a biography of the artist on the back of the sleeve. Every t-shirt is numbered and signed by the artist, and comes in organic American Apparel cotton. We like! Read more

WE'RE THINKING

I’m so excited to have stumbled across the work of Berkeley, California artist Weston Teruya. On first glance, his work feels purely abstract, like black and white grids with dots of colour here and there, undulating across clean backgrounds. On closer inspection, however, perfectly rendered chairs, life savers, netting, plants and various ephemera come to light. I’m always excited when I come across an artist who can so successfully merge the realistic and abstract, and Teruya does it with aplomb. Read more

WE'RE READING

I’m enjoying reading the insight and witticisms of the Indie Breakfast Club blog, which casts a wide net over entrepreneurship and what it means to be one and still have a conscience.

Says Van She bassist and vocalist Matt Van Schie about the Bush Tetras track — Too Many Creeps — from 1982: ‘I LOOOVE this tune. It opens with a perfect snare roll, and then the counter bass and guitar rhythms make it so cool. The lyrics are even more valid today. They’re one of my favourite bands of all time, and so many people try to do what they did for real. What a time! I wish I was born back then in New York, hanging out with these kids. Ahhhh!!’

WE'RE LISTENING TO

I usually steer clear of anything smelling of disco-breaks: the thought just bores me. But with Padded Cell’s new release, Night Must Fall, I see a bit of a U-turn on the horizon. There’s something really interesting going on here: it’s a cocktail of 80’s swank laced with woozy narcotic undertones and flecked with snappy drum loops: weird, undeniably dark and ominous, but nonetheless pretty damn satisfying. Read more