WE'RE SUPPORTING

There’s an ethereal feeling about the music of London-based, Aussie exports Howling Bells. It washes over you in waves of pure melody, always tinged by the faintest whisper of longing. We checked in recently with frontwoman Juanita Stein. Read more

WE'RE WEARING

For an industry that spends so much time fratenising with musicians, few designers ever admit to being primarily influenced by the music industry itself. Electronic Poet are an exception. Read more

WE'RE READING

San Francisco-based illustrator Luke Feldman has just had his first children’s book published, Chaff n’ Skaffs: Mai and the Lost Moskivvy, a collaboration with writer Amanda Chin. The book artfully tells the story of Mai, ‘a young girl who never ventured too far from her home. When a lost mosquito interrupts Mai’s sleep, her friend Chaff suggests they escort Moskivvy back home to a faraway land. So begins a courageous girl’s voyage into a fantastic world’, all communicated beautifully through Feldman’s colorful, dynamic and considered illustrations. Read more

WE'RE THINKING

I generally don’t like t-shirts so much, but I really like the ones at The Martinez Design Project, the Etsy store for designer Leslie Martinez. Her work transcends the glut of silkscreened clip art in the DIY aesthetic.

Kirk brings Molly to meet his family for a pool party but she doesn’t have her swim suit. Kirk, an average Joe, can’t believe his luck when gorgeous babe Molly falls for him even though he’s the first to admit She’s Out of My League. In cinemas April 1.

WE'RE TRAVELLING TO

The work of Australia’s Ben Frost is always interesting. He’s known for his controversial art juxtapositions that confront contemporary Western paradigms in our advertising obsessed society. Crapitalism is on display until November 3 at Opus Gallery in Newcastle, UK. I do hope any disgruntled viewers refrain themselves from slashing his work with a knife, unlike the infamous 2000 Australian episode.

WE'RE LISTENING TO

There are two kinds of metalheads: those that are drawn by the hyper masculine, angry, aggressive aspect of metal, and those that are drawn by its Wagnerian drama, themes of pagan nature worship, and disdain towards modern civilization. The line between the latter and hippies is quite thin. I am one of these sorts of metal fans, which is why I also really love bands like The Lickets, an empyrean, luminously beautiful, experimental folk collective. They make music that makes you feel like a tiny speck floating in the vast oceans of existence, perfect for a night of star gazing, just like Burzum’s fourth album, Filosifem.