WE'RE SUPPORTING

Peter Funch’s panoramic composite photos of New York City street scenes may be mostly staged, but they capture that feeling every New Yorker has on occasion when they step outside that they’re on a movie set, or that everything happening around them is happening in concert. Read more

WE'RE WEARING

Busy P is the man. This design pays homage to one of the world’s most enigmatic pop-culture mavericks. The French maestro is almost single-handedly responsible for the success of both Daft Punk and Justice. The Midas Touch design references this with the golden robot (representing Daft Punk) and the golden cross (representing Justice) — the idea being that everything Busy P touches turns to gold.

WE'RE READING

Our friends over at Sex In Art recently posted the work of Japanese artist Aya Kato. Says Justin, the founder of the site: ‘I have this folder on my desktop titled Cool Shiat. It’s where I save all the inspirational images I find on the net. I’ve just finished filling it up with Aya Kato’s amazing images. Argh wow. Wow, wow, wow. I won’t say anymore. Just check her work out for yourself’. Read more

WE'RE THINKING

Yann Gross’ photos of tattooed bikers, cowboys, drag races, and Confederate-flag-adorned trailer homes are unnerving documents of the American experience. But his subjects aren’t American, they’re residents of the Rhone Valley in Gross’ native Switzerland. Judging from his photos, Europeans don’t necessarily look down their noses at the U S of A. Some of them actually celebrate it, blemishes and all.

Kirk brings Molly to meet his family for a pool party but she doesn’t have her swim suit. Kirk, an average Joe, can’t believe his luck when gorgeous babe Molly falls for him even though he’s the first to admit She’s Out of My League. In cinemas April 1.

WE'RE TRAVELLING TO

Mozzarella is the new sushi in New York since the opening of Obikà (pronounced Oh-bee-KA), Manhattan’s first mozzarella bar, at 590 Madison Avenue. Read more

WE'RE LISTENING TO

Lindstrom, the man who single-handedly coined the term ‘minimal space-disco’ (well, perhaps nudged in the right direction by Orbital et al), recently released a new, rather ambitious, album, Where You Go I Go Too. Weaving between ambient trance and breakbeat-flecked disco, the producer responsible for the mesmerizing reworking of that tune we all secretly love, Roxy Music’s Avalon, has produced a worthy follow-up to his 2006 album, ‘It’s A Feedility Affair’. This time, however, there’s only three tracks, ranging between 10 and 29 minutes in length, and the Eno/Ferry influence is thankfully clear to all.

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