Posts tagged with Lost At E Minor
November 4, 2008 | Websites | by Zolton |
You’ve probably noticed the For Weekly Inspiration callout in the top right hand corner of the site, but why should you sign up to receive our weekly email publication? Well, it goes direct into your inbox every Thursday and is a sparkling collection of artwork, photography, music, and other pop culture tidbits that we’ve discovered during the course of the week. It’s easier to digest than a thousand Dunkin’ Doughnuts and more fun than a dinner date with Ricky Gervais. Or Kate Moss. Or both. It’ll add a little cheer to your week. If you sign up to receive it, we think you’ll like what you’ll see.
October 31, 2008 | Websites | by Zolton |
We have a thumping track by Chicago-based rocker Tom Fuller [above] available for free download in the Music Download section of Lost At E Minor (pssst, it’s in third column of the site), along with new tracks by Five O’Clock Heroes, Fujiya & Miyagi, and Madlib. Read more
October 31, 2008 | Events | by Zolton 
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There’s an interview with myself and my Lost At E Minor co-founder, Zac, on the latest installment of the always interesting and insightful Not Quite Art television series. In it, we speak about the changing landscape of global popular culture in this increasingly digitial age. Bear in mind when watching it that my interview was conducted via Skype video at around 3.20am. Hence the tired eyes and coffee perky demeanor. This excellent series is produced, written and fronted by Marcus Westbury [above], who has this to say about the inspiration behind his exploration of where our collective creative consciousness is heading: ‘When I was a kid, the cultures I had to choose from were pretty simple. If it wasn’t in a book store, a record store, a local gallery or performance centre, something I could find at a video store or read in a magazine, I didn’t know about it. Kids today have access to virtually all the culture in the world, from comic books to computer games, encyclopaedia and images, to the web as a gallery and reference library, to the history of art. Our culture is shifting from the hierarchical, local and parochial structures, to a global and networked world where Australian artists, musicians, critics and troublemakers have audiences of millions around the world, yet often remain relatively unknown in their local community. Series Two of Not Quite Art shows how the cultures that have great impact on us have less and less to do with where we live anymore or even what country we are in’.
July 1, 2008 | Trends | by Zolton |
You’ll notice a new addition on the site, a brand spanking new job board, packed to the brim with creative positions in New York City. So if you’re looking for a new challenge, a new city perhaps, and you’re in a creative industry, check in regularly to see the latest jobs going.
October 1, 2007 | Illustration | by Zolton |
A lot of people have asked us where the name Lost At E Minor comes from and what the phrase implies. Well, several years ago I came across a compilation of obscure electro music called Famous When Dead, which is off the commendably experimental German label, Playhouse. One of the tracks on the album was by the production duo, Light Fantastic, and was titled Lost At C Minor. Read more
We caught up with artist Chad Liebenguth recently and asked him what had been keeping him busy of late. Read more
Concept albums have always been a hit or miss affair, all too often to be taken with a pinch of salt. Some work brilliantly; many fall flat on their esoteric face. Dr John’s response to Hurricane Katrina is an intriguing album. Some is rousing, some depressing: it’s littered with political statements, perhaps too much at times but given it’s purpose the over-saturation isn’t surprising. In it, he teams up with ambassadors of blues such as Eric Clapton and Willie Nelson — artists who in the past have leant their name to issue-based music. You do get the feeling however that the collaborations are done for commercial appeal: there is something lacking from the original and distinctive Dr John. Regardless, its well worth a listen — there are very touching moments and solid protest songs to re-ignite in the world what three and a half years of other catastrophes may have covered up.
If ever there were an apt description of our time, it would be that we are the ‘mobile generation’, in every sense of the word. We are a people of movers, we are offered choice on so many levels. And, in this way, we are far removed — both in ideology and practice — from those generations before us, who were generally more static and certainly less transitory. Read more
Despite years of experience in the creative arts fields, Erica Weiner is a self-taught craftswoman. Read more
A minimalist design hotel parked on Thailand’s Koh Samui island, The Library stole my attention as I wandered down Chewang Beach at sunset. Read more
Oh man! To be young enough to bop, groove and scratch like these kids. For Japanese superstars DJ Sara (8 years old) and DJ Ryusei (5 years old), there’s no such thing as tomorrow. Read more
DJ Spooky — That Subliminal Kid — is just about the deepest crate digger around, trawling the barrels of long-lost record stores for choice vinyl to spin in his wickedly dubby sets. He gave us the inside word last week on his eight favourite songs right now via our sister website, My Secret Playlist. This is what he had to say about Lee ‘Scratch’ Perry’s Panic in Babylon: ‘If there’s anything that the twenty-first century has told us, it’s that dub is the real original hip-hop. Lee Scratch even had to make it clear in 1965 by adding “Scratch” to his middle name. Take that, Grandmaster Flash!’ Read the rest of DJ Spooky’s Secret Playlist.
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These stylish hoops of bronze have a profound effect on me. I’m seriously left singing If I Were A Boy Beyonce-style whenever I see them. Made by Stannard Inc, William the Brave bronze rings are stunning and the raw look exudes an air of individuality. But the cool thing is that you can actually get away with wearing them if you’re a chick, too. They’re made uni-sex in various sizes.
Florida-based artist, Andy Espinoza, studies at the Ringling College of Art and Design, majoring in Illustration. His paintings are beautifully conceptualised, rich in narrative and technically impressive. Of his work, he says: ‘I see each human figure as a unique challenge. I am coaxed to find the unique relationship between the shapes and tones that give the particular subject its subtle appeal and unrepeatable vitality. My paintings are not photographic representations of my subjects, but rather are my elaboration of what I find to be of value in them’. Read more
There are two Americas: one which strives to create its own culture, music, and art with a strong sense of ethics in mind, and another that drinks 32-ounce energy drinks before waiting on line to get into a club packed with women trying to get back at their overbearing fathers, and homophobic men with a fondness for Axe body spray. How do we bridge the divide?
I like Roots Manuva because he tells stories. I know that sounds simplistic, but honestly, have you noticed how rappers, certainly American rappers, have stopped narrating their lives and are purely focused on how great they are? I know, I know, hip-hop is all about word play, slang, and blah blah blah. Read more
Barack sweats it out on Election Night
While the rest of the world spent election night biting fingernails whilst glued to the TV set, it’s kinda nice to know that President Elect, Barack Obama, was doing exactly the same thing, as these wonderfully low-key insider snaps from David Katz reveals. Read more
We have a stack of CDs and DVDs to give away to a lucky new subscriber who signs up to receive our free weekly email publication between now and New Year’s Day. There’s 50 new CDs in the pile, along with a handful of DVDs. So sign up now and leave a message here telling us what album you hope will be in the pile!
Cassettes Won’t Listen is the brainchild of New York-based, multi-instrumentalist and producer Jason Drake and is the latest of an abundance of musical monikers he has realised over the years. Small-Time Machine is Cassettes Wont Listen’s first-ever physical release and is available for US$23.70.
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