WE'RE SUPPORTING

Erika Larsen’s cattle ranch photographs have a surreal yet timeless quality to them. I would never have guessed that they were commissioned by a business magazine. We caught up with the New York-based photographer recently to find out about her time on the ranch. Read more

WE'RE TRAVELLING TO

In a world filled with conceptual environmental architect, Lost in Paris, designed by R&Sie Architects for a so-called ‘urban witch’, is the definition of innovation and resourcefulness. The 1400 square foot home is engulfed by 1200 ferns and 300 glass-blown pods. A potion of rainwater and plant nutrients are fed to the pods, which in turn feed the ferns, drop by drop, during the year. And because the home is entirely covered with the plants, it is protected from outside weather and the interior temperature is regulated without use of traditional methods.

WE'RE WEARING

It’s a recession and I don’t need to buy any more handbags. But these? Umm, too awesome to pass. The ad photos are as fantastic as the products. My favorite is Pursuader. But don’t go to the airport with one! Read more

WE'RE THINKING

The Obama campaign was one of the most visually effective in recent history, brilliantly tapping modern marketing concepts and design to get its message across. The deceptively simple logo they chose stemmed from an amalgamation of a lot of different concepts the Obama designers came up with. Logo Design Love just posted all the different looks that weren’t used.

WE'RE READING

We asked Ham and Pete, from New York band The Walkmen, to give us the rundown on the music that is inspiring them right now and they started off with a track from that elder statesmen of indie folk, Bonnie Prince Billy, Goin’ to Acapulco: ‘He did a remarkable job of putting a unique spin on a classic. It’s no small feat, and it’s a really impressive version’. Read more of The Walkmen’s Secret Playlist.

I ran a series of 80s nights in New York last year — showing cult 80s movies and playing classic cuts from that era of kitsch and spice — purely so I could spin After The Fire’s Der Kommissar over and over. Yessir, this was the future of music in 1983. Pity no one was listening.

WE'RE LISTENING TO

French duo Trop Tard make straight-faced, Suicide-esque, synth-and-guitar electro tunes that sound like dark rituals performed in the catacombs beneath the streets of Paris. Repetitive, bleak, and cold, this is dance music for the shambling undead.