WE'RE SUPPORTING

Samantha Everton’s latest exhibition, Vintage Dolls, explores ‘history, race and culture through magic realism’. Of the series, Everton says: ‘I was inspired by the innocent act of children playing dress ups and the way they re-enact adult behaviour, concepts and themes, without preconceptions or judgement’. The show runs at the Dickerson Gallery, Melbourne, between March 4-22 and at the Dickerson Gallery in Sydney between April 1-19.

WE'RE THINKING

Fine, skull art may be a little played out at this point, but come on, this one is made out of real human brains!

History is the story of the winners, and western dominated culture recounts few triumphs from the east. Mongol is an effort to correct this balance, and the eastern influence is evident in much more than just the storyline. It is more like a fairy tale or legend handed down through generations, than based on fact, with mythical elements playing a major part, and the character’s motivations remaining simple. Read more

WE'RE TRAVELLING TO

Having lived in New York for over two years now, transplanted from the sunny beachside landscape of Sydney, Australia, I appreciate the gritty realism, yet positiveness and vibrancy in the photographic series on Manhattan locals by British writer and photographer, Ian Woolverton. In addition to his talents with the lense, Woolverton also has two humanitarian awards: one for the Australian Red Cross Service Medal for his achievements in the Bali bomb response and the other, Australian Government’s Humanitarian Overseas Service Medal, for covering the tsunami in Aceh. Read more

WE'RE READING

Who wants to be famous? A lot of people, that’s for sure. And the first ones are the mothers of little American girls.
 High Glitz: The extravagant world of Child Beauty Pageants shows images of the children that take part in the different beauty contests around America, bursting as they are with extravagant haircuts, haute-couture dresses, false teeth and all the artificial beauty that you can imagine. Read more

WE'RE LISTENING TO

I’ve heard whispers that Kings Of Convenience, the Norwegian duo of folkloric proportions, have split. I hope they’re unfounded, but like all good rumours, where there’s smoke, there’s fire. Perhaps Erland Oye is enjoying the unlimited scope of his solo career too much? And then there’s his new submorphic guitar pop project, The Whitest Boy Alive, to keep him occupied. The whitest boy alive? Indeed he is. But damn the guy can sing.

WE'RE WEARING

This weird creature is BuBo, born in the studio of Meritxell Duran in Barcelona, Spain. Bubo is happy hanging from the shoulder, playing inside with cell phones, keys, wallets and pens, and is made of natural latex in four different colors.