WE'RE SUPPORTING

Brooklyn-based illustrator — and Lost At E Minor contributor — Ilana Kohn creates vibrantly coloured works which practically glow in their playfulness. A graduate of Pratt Institute, Kohn’s regular clients include the New York Times, The Deal, Utne Reader, and The Advocate. Read more

WE'RE TRAVELLING TO

This water theatre by the British architect, Sir Nicholas Grimshaw of Grimshaw Architects, takes the form of a vertical seawater greenhouse, with the evaporators and condensers stacked vertically to maximise yield. The structure is not only a visible engine of sustainability but is also a large theatre auditorium. Read more

WE'RE WEARING

When my uber-creative and slightly eccentric twin brother announced one day that chainmail would be making a return, it only confirmed that he’d missed out on the fashion genes. But after checking out the fingerless chainmail glove in Toby Jones’ new collection — My hands are tied — it now appears he had a legitimate vision. Working a look straight out of a Mad Max scene, Jones’ designs will have us accessorizing in true post-apocalyptic style, using everyday objects as adornment. But you don’t need to be cruising around town in a black Interceptor to appreciate them. Be your own character with chain swinging padlocks and multi-purpose shoelaces. It’s about time you got your hands into something different.

WE'RE THINKING

Aurie Ramirez’s elegant watercolors have something outsider-y about them, with a slight nod of Henry Darger, but the fantasy world she depicts is less manic and angry — the whimsical and characters that inhabit her work seem more playful and less tormented by religious repression. Read more

WE'RE READING

Artist Bill Zeman has an ruthless, hard-nosed art director giving him orders — his four-year-old daughter. He posts the products of their stormy collaboration along with her devastating critiques on his blog, Tiny Art Director, where you can also purchase the book version. Read more

Lasse Gjertsen is the future of cut and paste music. He’s just arrived ten years too early and with a really bad haircut.

WE'RE LISTENING TO

Concept albums have always been a hit or miss affair, all too often to be taken with a pinch of salt. Some work brilliantly; many fall flat on their esoteric face. Dr John’s response to Hurricane Katrina is an intriguing album. Some is rousing, some depressing: it’s littered with political statements, perhaps too much at times but given it’s purpose the over-saturation isn’t surprising. Read more