WE'RE SUPPORTING

Rainbows shooting out of toilets. Trashcans everywhere. And what could possibly be a certain part of the female anatomy. Hmmm. My somewhat juvenile sense of humor is totally with New York-based illustrator and designer, Jesse Kuhn.

WE'RE TRAVELLING TO

If you’ve seen some really clever poster mash-ups going on in the NYC subway system, chances are you have graffiti artist Poster Boy to thank. It’s baffling how he can create such elaborate pieces without getting caught. Read more

WE'RE WEARING

These antler pendants are hand-crafted, made in sterling silver, and brought to you by the talented kids at Fuzz Design. They are revolutionizing the way we view hunting and taxidermy: it just got a whole lot more fashionable! Why not wear a piece of reindeer around your neck this Christmas?

WE'RE THINKING

Hello, my name is Zolton and I’m a text addict. That’s right, an instinctive, compulsive plier of the trade, straight from the Michael Douglas school of confessional proclamation. Yup, I don’t care if it’s quick or protracted; if it’s a group message or one just for me. I’ll take that text any damn way you can give it. And if that’s a crime in these repressed, conservative times, then so be it. Just don’t strip me of my pride. Or my mobile phone. [illustration by Nathan Jurevicius]

WE'RE READING

Our friends over at SNAP!, Montreal’s only free and independent arts and lifestyle magazine have just released their fourth issue in which they look back and celebrate the faded beauty of past eras, grandmas and grandpas, Polaroids, antique finds, old wisdom and vintage style. Yeeha! They also remember the best of 2008 in Montreal arts, with a variety of writers and photographers giving their take on their favourite cultural discoveries.

In my next life, I want to sing like Frightened Rabbit frontman Scott Hutchison. Oh, and grow a lush beard, so I can play in their band. Better start cracking.

WE'RE LISTENING TO

The first album released by the Malian duo Amadou & Mariam, Dimanche a Bamako, bordered on exceptional, if not for its songwriting then for its sheer diversity. You’d be forgiven for approaching cautiously an album that draws its influences from Syria, Cuba, Egypt, India, and Colombia, as well as its own country – much like a restaurant that offers every cuisine on the planet: choose one and do it well, you’d argue. But the album is fantastic: so full of life, so catchy and so accessible. Read more