WE'RE SUPPORTING

Janay Everett attended the School of Visual Arts in New York before moving to Atlanta where she earned a bachelors degree in fine arts from the Atlanta College of Art. Her artwork is influenced by abstract expressionism. As she notes, she likes to ‘focus more on the process rather than on the finished product’. Read more

WE'RE TRAVELLING TO

I came across the Dongzhong cave school, which is situated in a Miao village within the Ziyun county, while watching a fascinating BBC documentary series about China the other night. The school, which was built in 1984 and caters for just under 200 students, is considered to be ‘a teaching branch for nearby resident units’. It looks stunning in its ornate beauty, and it must be one hell of a stimulating environment in which to learn. Read more

WE'RE WEARING

I wasn’t aware of who Emilio Pucci was until my work was compared to his for the hundredth time. I’m happy to have anyone make that connection. I’m not a high fashion person. I keep to the basics and feel alright about it. The introduction to his work was mind blowing for me. Not only for the rich colors and patterns, but how those things worked with the human form. It was an interesting revelation, and one that has sparked more interest for me to explore fashion as a medium for art.

WE'RE THINKING

So my protegee is in full training for the annual International Whistling Championships which take place in North Carolina each year and I’m reasonably happy with his progress, though he did struggle a little the other day when I had him doing pushups whilst belting out the distinctive chorus hook to Norwegian Wood. Read more

WE'RE READING

Writer Warren Ellis and artist Paul Duffield have teamed up for a pretty stunning, albeit mildly cliched webcomic about mysterious survivors in a post-apocalyptic London submerged in water.

WE'RE WATCHING

Films involving characters faced with an impossible choice never make easy viewing, an example being the Nick Cave Australian gem, The Proposition. A nightclub manager, played with understated power by Joaquin Phoenix, is the victim here, and you actually feel truly uncomfortable as his predicament unfolds. Set in the 1980s, We Own The Night shows a real nostalgia for that period — particularly in the costumes. Read more

WE'RE LISTENING TO

I caught Austin band Watch Out For Rockets playing the other week at the Beauty Bar, a small smoky den on a bustling hipster strip. Although they hit the stage a few hours late, they still cranked out an awesome set of guitar-based power pop, though they left out my favorite track, Urgent Serpent Merchant (below).