WE'RE SUPPORTING

‘Unfinished and Unpublished‘ is a beautiful collection of notebooks created as part of a collaboration between StudioMatador and other artists and illustrators. Read more

WE'RE TRAVELLING TO

I love the interesting lines and clever use of sustainable materials found in the Klein Bottle House, a holiday place in Victoria’s Mornington Peninsula. The architects, McBride Charles Ryan, based the design around the concept of the Klein Bottle, ‘a descriptive model of a surface developed by topological mathematicians’. Read more

WE'RE WEARING

With waiting lists and pre-orders already taking place, there’s enough competition for this label without sharing it with the world. But what the heck. A little bit of fashion karma never goes astray. So listen up ladies. If you haven’t heard of Aussie label Maurie & Eve, you need to pay attention. Because their current collection, ‘End of the Line‘ is due to sell out as soon as it drops during October. Read more

WE'RE THINKING

I checked out the Armory Show in Manhattan a couple of weeks back and amongst the aisles of impressive contemporary art I was particularly taken by the work of Japanese artist, Mahomi Kunikata, whose vibrant and colorful paintings are full of mischievous characters and ‘joy joy’ sentimentality.

WE'RE READING

Before MTV, MySpace, and viral marketing, album covers had the potential to make or break a band. First impressions count, and many a music geek have purchased albums on the cover artwork alone. So what these guys were thinking is simply beyond me. Although, if anyone has a spare copy of Devastating Dave the Turntable Slave then I know someone, ahem, who could take it off you. Read more

Not much more needs to be said about this. Ricky Gervais, the funniest man in England, meets Larry David, the funniest man in America. Wit and genius collides. Very, very clever.

WE'RE LISTENING TO

Austin-based Future Clouds and Radar, the eclectic art-pop ensemble headed by Robert Harrison, has recently released its sophomore recording, Peoria. Where their self-titled debut album showed Harrison as the central figure in a large musical cast, Future Clouds and Radar’s latest offering finds the core band focusing their kaleidoscopic vision into a single cinematic narrative about the illusory nature of mortality. Throughout, Harrison stays true to his genre-hopping eclecticism, leading the journey through a maze of fuzz-box vocals and ethereal keys.