WE'RE SUPPORTING

Zachary Rossman’s works on paper look like portals to alternate universes where human understandings of good and evil don’t apply.

WE'RE WEARING

Knit you and your sweetie a smitten this Valentine’s Day and marvel at the droves of strangers that will vomit at your feet.

WE'RE READING

Google recently demonstrated their ability to predict flu outbreaks across America weeks in advance of the outbreaks themselves. It would seem that they are more than just a pretty search engine. And as if that wasn’t enough, they’ve now teamed up with Life Magazine, what was the cornerstone of photojournalism for the Twentieth Century, to digitize 95 per cent of their image bank that never saw the light of day. Now millions of photos stretching from the 1750s to the present day are available on Google Images at the click of a button. Read more

WE'RE THINKING

John Lennon was right, these are ’strange days indeed’. Mind you, he also claimed to have seen ‘a UFO over New York’ and ‘Nazis in the bathroom, just below the stairs’, so he may not have been the most reliable witness. Read more

This interview with James Lavelle gives a fascinating window into the making of the latest UNKLE opus, End Titles, Stories for Film.

WE'RE TRAVELLING TO

I just came back from teaching a week-long illustration workshop in Venice, Italy. After finish up the class each evening, the students and I often ran to our favourite gelateria in town, Nico. Read more

WE'RE LISTENING TO

Wolf and Cub are back with a brand new single and after listening to it, I feel like I should be out in the streets, warning my neighbours of the apocalypse. The song is huge, forceful, damming and painfully exciting. Joel Byrne’s half-drawl, half-howl proclaims the end, while (in true Wolf and Cub) the drums are epic and unsettling. And then, that moment, the bass against the fading echoes. My heart broke and my brain exploded. It’s too much to take. This band will be the death of me.